Inner Voices Jan Lundgren & Costa Yamandu

• 1Para Aprender a Amar04:44
• 2Galliano04:00
• 3Fresu03:37
• 4Diplomata04:27
• 5Nina03:07
• 6Garoto02:49
• 7Hannah04:05
• 8A Legrand04:04
• 9Habanera03:40
• 10Choro Para Paquito03:34
• 11Summer Kind of Love04:02
• 12Uma Prece04:23
• 13Nocturne03:08
• 14Manhã De Carnaval03:54
• Total Runtime53:34

Info zu Inner Voices

„Inner Spirits“ vereint zwei Seelenverwandte aus sehr unterschiedlichen Teilen der Welt: Pianist Jan Lundgren aus dem schwedischen Ystad und Gitarrist Yamandu Costa aus der südlichsten brasilianischen Provinz Rio Grande del Sur. Eine auf den ersten Blick ungewöhnliche Verbindung, doch durch die besondere Chemie zwischen den beiden Musikern entsteht etwas Außergewöhnliches. "Für Yamandu Costa ist die Gitarre eine natürliche Erweiterung seines Körpers und seiner Seele", schrieb ein amerikanischer Journalist. Das Spiel des Grammy-Gewinners (und sechsfachen Nominierten) ist geprägt von großer Eleganz, stetem harmonischem Fluss und tiefer Kenntnis der lateinamerikanischen Musik – in den unterschiedlichsten Besetzungen, vom Solo bis zur Arbeit mit Symphonieorchestern. Jan Lundgren hat einen bedeutenden Beitrag zur Entwicklung des europäischen Jazz der letzten zwei Jahrzehnte geleistet, ganz besonders durch das Trio „Mare Nostrum“ gemeinsam mit Paolo Fresu und Richard Galliano. Der britische „The Observer“ hört in dessen Musik "ein Gespür für Melodien und eine Leichtigkeit im Anschlag, die den kollektiven Sound sowohl delikat als auch unwiderstehlich macht" - Tugenden, die auch das Duo Lundgren & Costa auszeichnen.

Jan Lundgren und Yamandu Costa lernten sich 2019 im südschwedischen Malmö kennen und entdeckten schnell eine tiefe Begeisterung für die Musik des anderen. Lundgren lud Costa ein, auf dem von ihm geleiteten Ystad Sweden Jazz Festival zu spielen und schließlich entstand der Wunsch, gemeinsam im Duo zu spielen. "Es hat mich sehr gefreut, dass die Programm-Macher des Stockholmer Konserthuset die Idee genauso gut fanden wie wir“ erinnert sich Lundgren. Am 17. Februar 2023 standen die beiden erstmals gemeinsam auf der Bühne. Die außergewöhnliche Kombination begeisterte alle Beteiligten, weitere Konzerte folgten und so wuchs auch der Wunsch nach einem gemeinsamen Album. Und so begaben sich Lundgren und Costa ein Jahr nach ihrem ersten Zusammentreffen zunächst für einige Tage der Vorbereitung in die Berliner ACT Art Gallery und schließlich gemeinsam mit Produzent Andreas Brandis ins Studio.

Dank des tiefen gegenseitigen Verständnisses zwischen Lundgren und Costa und der Leichtigkeit und Spontaneität ihres Zusammenspiels dauerten die Aufnahmen zu „Inner Spirits“ nur eineinhalb Tage. Andreas Brandis sagt: „Es ist erstaunlich zu hören, wie eng sich das Spiel von Lundgren und Costa verzahnt, wie sie ständig die Rollen von Haupt- und Nebenstimme wechseln. Beide sind Meister von Harmonie und Melodie, jeder vor seinem kulturellen Hintergrund.” Jan Lundgren stimmt zu: „Das verbindet uns am meisten und deshalb mögen wir einander so sehr“. Und Costa ergänzt: „Ich glaube, dass in unseren Eigenkompositionen und dem Zusammenspiel etwas wirklich Aufrichtiges, Echtes entsteht.“

Die Eigenkompositionen und oft auch ihre Titel machen deutlich, wie persönlich dieses Album für beide Musiker ist. Jan Lundgren widmet jeweils ein Stück seinen Mare Nostrum-Partnern Paolo Fresu und Richard Galliano und ein weiteres seiner Frau, der Sängerin Hannah Svensson, die zudem auf einem weiteren Stück als Co-Komponistin fungiert. Sie verkörpern den „Sound Europas“ mit Einflüssen aus klassischer und traditioneller Musik, den Lundgren im Jazz so entscheidend mitgeprägt hat. Die Stücke aus der Feder Yamandu Costas erinnern an dessen Sozialisation durch die Musiken Lateinamerikas. Der Rhythmus von „Para Aprender A Amar" (Lieben lernen) entstammt dem ecuadorianischen Pasillo. Mit dem lebhaften Choro "Diplomata" und dem wenig bekannten Juwel „Garoto“ von Antonio Carlos Jobim erkundet Costa die Musik seiner brasilianischen Heimat. Und auch seine „violão de sete cordas", eine siebensaitige Gitarre, stammt aus der brasilianischen Musiktradition.

In seiner Vielfalt der Stile, Tempi und Stimmungen macht „Inner Spirits" süchtig. Jan Lundgren und Yamandu Costas gewinnende Kombination aus Einfühlungsvermögen, gegenseitigem Respekt und tiefer Musikalität haben ein Album hervorgebracht, welches das Zeug hat, zu einem modernen Klassiker des Klavier/Gitarren-Duos zu werden.

Jan Lundgren, Klavier
Yamandu Costa, Gitarre

Produced by Andreas Brandis

Jan Lundgren
was born in the South of Sweden in 1966. His first serious tuition was already under way at the age of five…in the form of both piano lessons and tennis lessons. He proved particularly talented at both, and some were convinced by the time he was a teenager was that he would become the new Adolf Wiklund, whereas others were already hailing him as a new Björn Borg. It is to the good fortune of jazz fans of that Lundgren decided in the end to go with music. As might be expected, his first musical explorations were in the classical realm, but once he found out about jazz – rather accidentally and much later – he found that this newly discovered world was very much to his liking and the one that he really wanted to immerse himself in.

He went on to study at the renowned Malmö Academy of Music when he was 20. According to a story which often does the rounds, he was accepted on the condition that he would also take up the position of pianist in the well-known Monday Night Big Band. He was soon playing with all the best-known jazz musicians in Sweden, from his mentor Arne Domnerus to Putte Wickman and Bernt Rosengren. But he also travelled regularly to the USA from an early stage (and still does so to this day) to work with legends such as Benny Golson or Johnny Griffin. Thanks to his outstanding technique and his classical grounding, Lundgren quickly acquired an encyclopaedic knowledge of the tradition of American jazz piano, and was soon cognizant across all styles from early to modern jazz. And was all put to gud use as raw material from which to create his own music, as quickly became apparent.

Lundgren’s highly acclaimed debut album “Conclusion” was released in Sweden in 1994, and a year later he founded his own trio with fellow students Matthias Svensson on bass and Rasmus Kihlberg on drums (from 2000 on the drummer was the Dane Morten Lund, and since 2007 it has been the Hungarian Zoltan Csörsz). The trio didn’t have to wait long for a breakthrough: the album “Swedish Standards”, released in 1997, became a best-seller and its success was to prove durable. The album made it into the Swedish pop charts and – with a re-release in 2009 – became something of a standard in its own right. Six further, award-winning and commercially successful albums with this line-up followed in the years until 2003. The trio’s intensive touring activities culminated in a concert at Carnegie Hall in New York in June 2000. This was in the context of “Swedish Jazz Salutes the USA”; it made Lundgren the first Scandinavian jazz pianist to perform in this hall, so steeped in history.

As befits the immensely hard-worker that he is, Lundgren always has other projects on the go, and throws himself into them whole-heatedly. To date Lundgren has recorded more than 50 albums under his name or as co-leader for high-profile labels (from 2005 to 2009, and again since 2014 he has recorded exclusively for ACT), plus dozens more as accompanist. He has worked with almost all of the important Swedish musicians and with numerous international jazz stars such as Mark Murphy, Harry Allen, Lee Konitz and Stacey Kent. He has also produced several CDs himself. In 2010 Lundgren founded the “Ystad Sweden Jazz Festival” in the southern Swedish towm, where he has lived since 2005 and which is known world-wide as the setting for Henning Mankell’s Wallander TV crime series. The “Ystad Sweden Jazz Festival” quickly became established as one of the most important jazz festivals in Europe. Lundgren maintains a strong attachment to it as its artistic director.

As a pianist and composer, Lundgren has been one of the pioneers in the process of emancipating European jazz from American jazz, and has set the direction for the generations that have followed him. His playing combines several things: the virtuosity, the way of shaping sound and an awareness of form which are typical of European classical music; a conscious memory of his own folk music traditions; the canon of American jazz; and the unfettered joy of improvisation. This makes him an ideal person for all kinds of music-making across genres, and the list of activities is impressive. It includes work with the classical trumpeter Hǻkan Hardenberger on creating an exciting blend of modern classical and free music. There has been an interdisciplinary experiment with the Swedish writer Jacques Werup. Lundgren has focused on Renaissance sacred music with bassist Lars Danielsson and the Gustaf Sjökvist Chamber Choir in “Mare Mysterium”. There has been a tribute to the pianist Jon Johansson who died far too young. Johansson was a pioneer who combined jazz and Swedish folklore in a specific “Nordic sound” and is thus is an overtly acknowledged and direct role model for Lundgren. This was recorded and released as “The Ystad Concert – A Tribute to Jan Johansson” in 2016. Lundgren has also been involved in centenary tributes in major European concert halls to the great musical polymath Leonard Bernstein.

To some extent, the project which defines the quintessence of Lundgren’s activity is the “Mare Nostrum” trio. One critic has called it “Europe’s first supergroup” and there is quite some truth in that. Lundgren’s way of making music is to be stylistically versatile and adaptable, to create space for things to happen, and always to be melodic. In this approach he ideally complements the Mediterranean sound worlds of the Sardinian trumpeter Paolo Fresu and the French accordionist Richard Galliano. The debut album of this collective of equals, released in 2007, has sold more than 50,000 copies, making it a huge success in the context of jazz. Since that first release there have been two more releases by the trio, each one recorded in a different home country of one of the three musicians. The most recent, “Mare Nostrum 3” appeared in January 2019. The three albums constitute a brilliant trilogy from these great poets of music. Together they have redefined where European jazz is. It is a project through which Jan Lundgren has reinforced his profile and his significance : he is in effect one of the co-founders of a “Great European Songbook”.

Yamandu Costa
was born in Passo Fundo, Rio Grande do Sul, Brazil in 1980. There, he began his guitar studies with his father Algacir Costa, band leader of “Os Fronteiriços”, when he was 7 years old. Later, he perfected his technique with Lucio Yanel, an Argentine virtuoso who was then living in Brazil.

Until the age of 15, Yamandu’s only music school was the folk music from the south of Brazil, Argentina, and Uruguay. Nevertheless, after he heard Radam’s Gnatall’s work, he decided to get in contact with the music of other renowned Brazilian musicians, such as Baden Powell, Tom Jobim, Raphael Rabello, among others.

When he was 17, he played for the first time in São Paulo at “Circuito Cultural Banco do Brasil” (BB Cultural Tour). The event was produced by “Estudio Tom Brazil” (Tom Brazil studio), and from then on he was recognized as one of the most gifted guitar players of Brazil.

Considered by some one of the greatest geniuses of Brazilian music of all times, Yamandu deserves the highest praise. Whenever he is on stage, he fills with joy the most select audiences, since his impressive performance shows the deep intimacy between Yamandu and his guitar.

Yamandu is a guitar player, composer, and arranger that does not fit into a single music style, yet he creates his own when he combines all of them playing his 7-string guitar. Yamandu Costa’s diverse styles include chorinho, bossa nova, milonga, tango, samba and chamamé.

A 2021 Latin Grammy winner for Best Instrumental Album, Costa has collaborated with Bobby McFerrin, Richard Galliano, Doug de Vries, Gilberto Gil, Toquinho, João Bosco, Ney Matogrosso, Marisa Monte, Renato Borghetti, and many more.

In 2023, Yamandu Costa released De Vida y Vuelta, an album created with Domingo Rodríguez Oramas, known as Domingo El Colorao, a leading traditional timple (a diminutive five-string guitar) player from the Canary Islands, Spain.

The 2024 album Inner Spirits by pianist Jan Lundgren from Sweden and Yamandu Costa presented the remarkable musical chemistry of the two maestros, mixing jazz, Western classical, and South American styles. Both acclaimed artists first connected in Malmö in 2019. Their collaboration blossomed at Lundgren’s Ystad festival and culminated in recording this album in February 2024 at Emil Berliner Studios. The album, produced by Andreas Brandis, highlights their seamless interplay and mutual focus on melody, featuring compositions like “Para Aprender A Amar,” “Fresu,” and “Diplomata,” along with personal dedications by Lundgren. Their empathy and exceptional musicianship make Inner Spirits a standout in piano-and-guitar recordings.

Booklet für Inner Voices