Cantigas de Santa Maria Hana Blažíková

• Alfonso el Sabio (1223-1284): Cantigas de Santa Maria
• 1 Virgen Madre groriosa, CSM 340 04:51
• 2 Des oge mais quer eu trobar, CSM 1 05:44
• 3 Quen as sas figuras da Virgen partir, CSM 76 04:38
• 4 Por nos de dulta livrar, CSM 18 (Instrumental) 02:58
• 5 Entre Av e Eva, CSM 60 02:43
• 6 Santa Maria leva, CSM 320 05:14
• 7 Quen bõa dona querrá, CSM 160 02:18
• 8 Gran piadad e mercee e nobreza, CSM 105 04:35
• 9 Rosa das rosas, fror das frores, CSM 10 (Instrumental) 01:15
• 10 Santa Maria amar, CSM 7 06:07
• 11 O fondo do mar tan chão, CSM 383 05:07
• 12 Pera toller gran perfia, CSM 85 (Instrumental) 02:21
• 13 U alguen a Jesucristo, CSM 281 05:03
• 14 Non pod ome pela Virgen, CSM 127 (Instrumental) 02:00
• 15 Quen serve Santa Maria, CSM 213 02:57
• 16 Sen calar, CSM 380 04:49
• 17 Que por al non devess ome, CSM 295 (Instrumental) 02:26
• 18 Rosa das rosas, fror das frores, CSM 10 04:29
• 19 Como poden per sas culpas, CSM 166 02:57
• Total Runtime 01:12:32

Info zu Cantigas de Santa Maria

Die Cantigas de Santa Maria wurden der Überlieferung nach von Alfonso X. genannt Der Weise (1221-1284) komponiert und zusammengetragen. Sie sind eine der wertvollsten Quellen mittelalterlicher Musik und entführen den Hörer in das Spanien des 13. Jahrhunderts, wo sich einst christliche, jüdische und muslimische Traditionen vermischten. Hana Bla íková (Sopran/Harfe), Barbora Kabátková (Sopran/Harfe/Psalterium), Margit Übellacker (Hackbrett) und Martin Novák (Schlagwerk) gestalten diese Stücke als Dialog zwischen zwei Frauenstimmen. Die nuancierte Interpretation wird durch arabische Ornamente und Improvisationen zusätzlich angereichert.

The Cantigas de Santa Maria come from the imposing collection of the court of Alfonso X el Sabio, which offers us one of the most precious sources of mediaeval Spanish music. The Cantigas take us to the end of the Reconquista of the Iberian peninsula and to the very heart of the culture where Christian, Muslim and Jewish traditions mingle. These songs are interesting not only for their absolutely unique musical language but also for their Portuguese and Galician texts in which are combined poetry, popular stories and hymns, most of them praising miracles of the Virgin Mary.

Starting from illuminated manuscripts that give us an idea of the instruments used at the kings court, Hana Blaíková and her partners perform these works like a dialogue between two womens voices, enriching it with two harps, a dulce melos and percussion. Whether using the whole consort or putting the instruments aside, this subtle interpretation has its source in plainchant and the music of the troubadours, with a touch of Arabizing ornaments and improvisation.

Hana Blažíková, Sopran, Harfe, künstlerische Leitung
Barbora Kabátková, Sopran, Harfe, Psalterium
Margit Übellacker, Dulce melos
Martin Novák, Percussions

Recorded May 11-14, 2014, Church of Our Lady beneath the Chain at the End of the Bridge, Prague, Czech Republic
Recorded, edited, mastering by Rainer Arndt
Produced by Aliénor Mahy

Keine Biografie vorhanden.

Booklet für Cantigas de Santa Maria