Along the Way Sam Taylor Quartet

Album Info

Album Veröffentlichung:
2017

HRA-Veröffentlichung:
17.01.2020

Label: Cellar Live

Genre: Jazz

Subgenre: Contemporary Jazz

Interpret: Sam Taylor Quartet

Das Album enthält Albumcover

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Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 96 $ 13,20
  • 1 Make Someone Happy 04:30
  • 2 Fats Flats 05:08
  • 3 On The Trail 06:27
  • 4 Where Are You 09:23
  • 5 People Will Say We're In Love 06:37
  • 6 The Close Things 05:07
  • 7 There's No You 06:24
  • 8 Wild Is Love 06:14
  • 9 I Want More 05:42
  • Total Runtime 55:32

Info zu Along the Way

One of the finer young tenor players on the New York scene in the last decade, Sam Taylor squares off against Philadelphia's acclaimed tenor man, Larry McKenna on Along The Way. Taylor and the elder McKenna don't musically spar so much as put their equally rich saxophone sounds to good use in a spirited, cooperative effort in a warm program of standards that suits their unfettered bebop style.

Sam Taylor, tenor saxophone
Larry McKenna, tenor saxophone
Jeb Patton, piano
Neal Miner, bass
Pete Van Nostrand, drums




Sam Taylor
Sam’s true jazz education began during his three years at Philadelphia’s High School for Creative and Performing Arts. Immersed in the deep tradition of Philadelphia’s jazz community, Taylor studied and performed with Chris Farr, Matt Levy, and Len Murphy. Dedication and love for music extended into the summer months, where he participated in distinguished programs: The Tanglewood Institute, Berklee College of Music Summer Jazz Workshop, The School for Improvisational Music, and Pennsylvania Governor’s School for the Arts. After receiving The Dennis Sandole Foundation Jazz Award, publishing in The Philadelphia Inquirer, and performing with exclusive ensembles in all major venues of Philadelphia, Sam left at the age of seventeen for New York City.

In 2001 Sam began his studies at Purchase College State University of New York. The next four years proved crucial to Sam’s development, with classroom and bandstand mentoring from Todd Coolman, Ralph Lalama, Jon Faddis, Javon Jackson, Pete Malinverni and John Riley. Quickly recognized for his talent and dedication, Taylor was given an opportunity to perform in Groningen, Holland as a guest soloist with the The Noord-Nederlands Conservatorium Symphonic Jazz Orchestra. Other performance highlights included an awards ceremony for Dave Brubeck at The National Arts Club, premiering his compositions with Jon Faddis at the Central Presbyterian Church of New York City, and performing in an eightieth birthday celebration for James Moody at The Performing Arts Center. This performance with James Moody was particularly exciting, playing to a packed theatre with saxophone legends Jimmy Heath, Frank Wess, Joe Lovano, Steve Wilson, Mark Turner and Ralph Lalama.

Since graduating in 2005 with a Bachelor of Music, Cum Laude, Sam has become an active member of the New York City jazz community. Featuring his own projects and collaborations, he has performed at numerous venues including Smalls Jazz Club, The National Arts Club, Cornelia Street Cafe, Fat Cat, and Webster Hall. Taylor can be found playing throughout the week at steady engagements in Hamilton Heights, Harlem and Midtown Manhattan. In addition to his busy performance schedule, Taylor also serves as artistic director for The West Harlem Jazz Festival

Taylor’s debut recording, My Future Just Passed, (released on Cellar Live, August 2015) was hailed by the Toronto Music Report as a “remarkable release”, with All About Jazz describing his playing as “wise beyond his years”. It features the masterful Taro Okamoto on drums along with bassist Aidan O’Donnell.

Along The Way, Taylor’s second album was released on Cellar Live, November 2017 featuring saxophone legend, Larry McKenna along with a top tier New York rhythm section: Jeb Patton, piano; Neal Miner, bass; Pete Van Nostrand, drums. In celebration of the release, Taylor performed along side Larry McKenna for two nights at The TD Vancouver International Jazz Festival 2018.

“Patiently and lovingly devotes himself to the song…Nothing but rapt attention to the song, to melody, to the way a great artist can make us feel” – Michael Steinman, Jazz Lives



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