Graupner : Intégrale des sonates pour violon et clavecin Naomi Dumas, Caitlyn Koester, Amanda Keesmaat

• Christoph Graupner (1683 - 1760): Sonata for Violin and Basso Continuo in G Major, GWV 707:
• 1 Graupner: Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante 01:50
• 2 Graupner: Sonata for Violin and Basso Continuo in G Major, GWV 707: II. Allegro 03:13
• 3 Graupner: Sonata for Violin and Basso Continuo in G Major, GWV 707: III. Adagio 01:24
• 4 Graupner: Sonata for Violin and Basso Continuo in G Major, GWV 707: IV. Allegro 01:19
• 5 Graupner: Sonata for Violin and Basso Continuo in G Major, GWV 707: V. Menuet 01:23
• Sonata for Violin, Obbligato Harpsichord and Bowed Bass in G Major, GWV 708:
• 6 Graupner: Sonata for Violin, Obbligato Harpsichord and Bowed Bass in G Major, GWV 708: I. Moderato 02:15
• 7 Graupner: Sonata for Violin, Obbligato Harpsichord and Bowed Bass in G Major, GWV 708: II. Adagio 03:27
• 8 Graupner: Sonata for Violin, Obbligato Harpsichord and Bowed Bass in G Major, GWV 708: III. Allegro 02:53
• Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 709:
• 9 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 709: I. Largo 02:53
• 10 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 709: II. Allegro 01:41
• 11 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 709: III. Andante 03:03
• 12 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 709: IV. Vivace 02:38
• Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 710:
• 13 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 710: I. Largo 02:14
• 14 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 710: II. Allegro 01:39
• 15 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 710: III. Largo 02:05
• 16 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 710: IV. Allegro 02:13
• Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 711:
• 17 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 711: I. Largo 02:29
• 18 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 711: II. Presto 01:46
• 19 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 711: III. Largo 01:46
• 20 Graupner: Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 711: IV. Menuet 02:46
• Total Runtime 44:57

Info zu Graupner : Intégrale des sonates pour violon et clavecin

Das Duo AKOYA (die Geigerin Naomi Dumas und die Cembalistin Caitlyn Koester) gibt sein Debüt bei ATMA Classique mit einer Aufnahme, die den Violin- und Cembalosonaten von Christoph Graupner gewidmet ist. Nach seinem Tod im Jahr 1760 fast in Vergessenheit geraten, erlebt Graupners Musik in den letzten Jahren dank der Entdeckung seiner Kompositionen an der Universität Darmstadt in Deutschland eine Renaissance. Unter seinen 36 Kammer- und Klaviersonaten bietet AKOYA zusammen mit Amanda Keesmaat, Barockcello, eine beeindruckende Auswahl, darunter einige, die zum ersten Mal eingespielt werden.

Naomi Dumas, Barockvioline
Caitlyn Koester, Cembalo
Amanda Keesmaat, Barockcello

Naomi Dumas
Baroque violinist Naomi Dumas has appeared throughout North America and Europe as a soloist, chamber musician and as a member of ensembles including Il Pomo d’Oro, Le Concert de la Loge, Arion Baroque Orchestra, and the Helsinki Baroque Orchestra. She is a graduate of the Historical Performance program of The Juilliard School and the Schola Cantorum Basiliensis, where she had the privilege of studying with Cynthia Roberts, Rachel Podger, and Amandine Beyer. She was recently selected as a finalist at the International Music Competition of the Loire Valley and was appointed principal violin of Les Ornements, formerly the Orchestre de Chambre de Colmar, in 2022. Naomi particularly enjoys the rhetorical qualities and emotional integrity of early repertoires, and strives to let the music speak to the audience with transparency and openness. Originally from Quebec, Canada, Naomi currently lives in Basel, Switzerland.

Caitlyn Koester
is a harpsichordist and music director active in the early music communities of the Bay Area and New York City. Caitlyn holds degrees from the University of Michigan, San Francisco Conservatory and The Juilliard School, and is pursuing a Doctor of Musical Arts degree at The State University of New York in Stony Brook. She has served on collegiate and pre-college faculty at the San Francisco Conservatory. Recent engagements include concerts for two harpsichords with Elliot Figg through Gotham Early Music Scene and The Berkshire Bach Society, and a recital for the Festival Bach Montréal. When not playing the harpsichord, Caitlyn enjoys going on adventures with her dog, a Great Pyrenees mixed breed named Polyphony.

Amanda Keesmaat
is the director of Space Time Continuo and principal cello with Arion Baroque Orchestra, a regular musician with Studio de musique ancienne de Montréal (SMAM), Clavecin en concert and an original member of Skye Consort. Amanda has also toured with Les Violons du Roy (Québec), Pacific Baroque Orchestra (Vancouver) and Tafelmusik (Toronto). Recently, she was a guest instructor and performer at the University of Western Ontario, her alma mater. Amanda has frequently been at the heart of productions of La Nef. As a specialist of the basse de violon, Amanda works with the ensemble Rendez-Vous Baroque Français, specializing in French baroque music. In 2017, she joined Opera Atelier for their production of Marc-Antoine Charpentier’s Médée in Toronto and Versailles, France.

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