- Luna Pearl Woolf (b. 1973):
- 1 To the Fire 12:18
- Après moi, le déluge:
- 2 Après moi, le déluge: I. Noah. The Lord Has Raised a Mighty Wind 07:10
- 3 Après moi, le déluge: II. Deep in the Water, Too Deep for Tears 04:54
- 4 Après moi, le déluge: III. Gone Away and Left Us, Lord 06:09
- 5 Après moi, le déluge: IV. Lord, I’m Goin’ Down in Louisiana 06:17
- Leonard Cohen (1934 - 2016), Sharon Robinson (b. 1958):
- 6 Everybody Knows (Arr. L.P. Woolf) 05:05
- Missa in Fines Orbis Terrae:
- 7 Missa in Fines Orbis Terrae: I. Kyrie 03:07
- 8 Missa in Fines Orbis Terrae: II. Sanctus and Benedictus 05:03
- 9 Missa in Fines Orbis Terrae: III. Agnus Dei 03:53
- One to One to One:
- 10 One to One to One: I. — 02:06
- 11 One to One to One: II. — 03:40
- 12 One to One to One: III. — 02:43
- 13 One to One to One: IV. — 03:15
- 14 One to One to One: V. — 02:52
- 15 One to One to One: VI. — 02:55
- Leonard Cohen:
- 16 Who by Fire (Arr. L.P. Woolf) 03:53
Info zu Fire and Flood
Von einer tief bewegenden Messe bis hin zu eindringlich neu erfundenen Meisterwerken von Leonard Cohen, »Fire and Flood« umfasst 25 Jahre Vokalwerke der Komponistin Luna Pearl Woolf, gespielt vom Chor der Trinity Wall Street und dem Cellisten Matt Haimovitz unter der Leitung von Julian Wachner. Woolf gehört zu einer neuen, jungen Generation politisch bewusster, künstlerisch fortschrittlicher Komponisten. Sie wurde von der New York Times für ihre »psychologischen Nuancen und emotionale Tiefe« gelobt.
Das Album beinhaltet ihr häufig aufgeführtes Cello-Chor-Konzert »Après moi, le déluge«, das sich mit den tragischen Folgen des Hurrikans Katrina beschäftigt, das dramatische »To the Fire« mit seinem prophetischen, alttestamentarischen Text und die »Missa in Fines Orbis Terrae«, die auf der Suche nach Offenbarung, Barmherzigkeit, Frieden bis ans Ende der Welt reist. Zwei originelle Arrangements für drei Stimmen und Cello von Leonard Cohens »Everybody Knows« und »Who By Fire« sowie »One to One to One«, in dem die typisch männliche Weltsicht durch starke Frauenstimmen durchbrochen wird, komplettieren diese spannende Werkschau.
Matt Haimovitz, Cello
Molly Netter, Alt
Steven Caldicott Wilson, Tenor
Devon Guthrie, Sopran
Nancy Anderson, Sopran
Elise Quagliata, Mezzosopran
Choir of Trinity Wall Street
Novus NY
Julian Wachner
Multi-GRAMMY-nominated conductor, composer, and keyboardist Julian Wachner—named one of Musical America’s Top 30 Professionals of 2018—serves as director of music at Trinity Church Wall Street, overseeing an annual season of hundreds of events at Trinity Church and St. Paul’s Chapel. Wachner served for nine seasons as the music director of the GRAMMY Award-winning Washington Chorus, with whom he won ASCAP’s Alice Parker Award for adventurous programming and Chorus America’s Margaret Hillis Award for Choral Excellence. In March 2018, Wachner was appointed artistic director of Michigan’s Grand Rapids Bach Festival, where he led the 12th biennial festival.
In addition to programming and conducting the music for weekly services at Trinity Church Wall Street, Wachner conducts Trinity’s celebrated Bach + One series, leads the innovative improvised Compline by Candlelight, and curates festivals including Time’s Arrow and the new 12 Nights Festival. Performances and services are webcast live in HD and are available for on-demand viewing on Trinity’s website. Wachner serves as principal conductor of Trinity’s resident contemporary music orchestra NOVUS NY, the Trinity Baroque Orchestra, and The Choir of Trinity Wall Street; and as an organist he gives recitals in the Pipes at One series at St. Paul’s Chapel.
Highlights of Wachner’s current season include a “Season Opener” celebration showcasing some of the works Trinity helped to incubate over the last decade, among them three Pulitzer Prize winners; and the new “12 Nights Festival:” 16 concerts in 12 days with highlights including Handel’s Deborah, a complete cycle of Beethoven string quartets, Bach’s complete Brandenburg Concertos, and a performance of Jean-Philippe Rameau’s five-act opera Dardanus. Outside the church walls, Wachner, NOVUS NY, and The Choir of Trinity Wall Street follow up last season’s world premiere of Ellen Reid’s p r i s m with two fully-staged spring performances at Washington’s Kennedy Center. With the Trinity Baroque Orchestra, Wachner and the choir give Bach performances in Montreal’s Salle Bourgie and at the Leipzig Bach Festival. Wachner also conducts Du Yun’s Pulitzer Prize-winning opera Angel’s Bone as the highlight of the opera offerings at the Beijing Music Festival, before leading the West Coast premiere of the work at LA Opera in the spring.
Wachner also enjoys an active schedule as a guest conductor. Orchestral engagements have included performances with the Philadelphia Orchestra; Montreal, Pacific, Calgary, and Pittsburgh Symphonies; New York Philharmonic; Seraphic Fire; National Arts Centre Orchestra; Philharmonia Baroque; Hong Kong Philharmonic; Bang on a Can All-Stars; and Apollo’s Fire. He has conducted at San Francisco Opera, Glimmerglass Opera, Hawaii Opera Theater, Juilliard Opera Theater, and New York City Opera, as well as for Carnegie Hall Presents, National Sawdust, and the Lincoln Center Festival.
As a composer, Wachner was an artist-in-residence at National Sawdust during the 2018-19 season, and the previous season saw a considerable enlargement of his extensive catalogue of more than 100 works. Premiered works included Gaudé: An LB Anniversary for Large Orchestra, commissioned by the Colorado Music Festival; TS Variations, commissioned by the Royal College of Canadian Organists; and Psalm 90, composed for the combined forces of The Tallis Scholars, Norwegian Soloists Choir, Netherlands Chamber Choir, and The Choir of Trinity Wall Street for Lincoln Center’s White Light Festival. His Regina Coeli à 8 was recorded by London’s ORA Singers on the Harmonia Mundi label, before the piece was given its U.S. premiere by The Choir of Trinity Wall Street under Wachner’s direction. He composed his Epistle Mass in collaboration with librettist Royce Vavrek for Trinity’s “Mass Reimaginings” project; and the premiere of his festival setting of the hymn I’ll Praise My Maker was performed at the opening ceremony of the American Guild of Organists Regional Convention.
Crowning these works was the world premiere of Wachner’s second full-length opera, REV. 23, in Boston, composed to an original text by Boston creator and librettist Cerise Lim Jacobs that was conceived as a comedic fable about Armageddon. The opera’s New York premiere will be at the Gerald Lynch Theater during the 2020 Prototype Festival.
The current season sees the release of five major albums featuring Wachner as conductor: Philip Glass’s Symphony No. 5 on the composer’s Orange Mountain Music label; Ellen Reid’s p r i s m, winner of the 2019 Pulitzer Prize for Music, on Decca Gold; Epistle, a compilation featuring his own compositions Epistle, Inverted Sky, and Gaudé, along with David T. Little’s Am I Born and shape note selections, on the Acis label; a new composer portrait titled LUNA PEARL WOOLF: Fire and Flood on the Pentatone label’s Oxingale Series, also featuring cellist Matt Haimovitz; and Edward Thomas’s new opera Anna Christie on Broadway Records. In 2017, Wachner, The Choir of Trinity Wall Street, and NOVUS NY released a recording of Du Yun and Royce Vavrek’s opera Angel’s Bone, winner of the 2017 Pulitzer Prize for Music. Other releases include the GRAMMY-nominated recording of Handel’s Israel in Egypt and the GRAMMY-nominated world premiere recording of Julia Wolfe’s 2015 Pulitzer Prize-winner Anthracite Fields. Wachner has also recorded on the Chandos, Naxos, Atma Classique, Erato, Cantaloupe Music, ARSIS, Dorian, and Musica Omnia labels. His music is published exclusively by E.C. Schirmer, and he is represented worldwide by Opus 3 Artists.
Dieses Album enthält kein Booklet