Tchaikovsky, Shostakovich and Weinberg Piano Trios Trio Owon

• Peter Ilyich Tchaikovsky (1840 - 1893): Piano Trio In A Minor, Op.50, TH.117:
• 1 Piano Trio In A Minor, Op.50, TH.117: 1. Pezzo elegiaco (Moderato assai - Allegro giusto) 18:04
• 2 Piano Trio In A Minor, Op.50, TH.117: 2. (A) Tema con variazioni: Andante con moto 01:07
• 3 Piano Trio In A Minor, Op.50, TH.117: Var. I: L'istesso tempo 00:55
• 4 Piano Trio In A Minor, Op.50, TH.117: Var. II: Più mosso 00:38
• 5 Piano Trio In A Minor, Op.50, TH.117: Var. III: Allegro moderato 00:52
• 6 Piano Trio In A Minor, Op.50, TH.117: Var. IV: L'istesso tempo 01:07
• 7 Piano Trio In A Minor, Op.50, TH.117: Var. V: L'istesso tempo 00:43
• 8 Piano Trio In A Minor, Op.50, TH.117: Var. VI: Tempo di valse 02:33
• 9 Piano Trio In A Minor, Op.50, TH.117: Var. VII: Allegro moderato 01:19
• 10 Piano Trio In A Minor, Op.50, TH.117: Var. VIII: Fuga (Allegro moderato) 02:28
• 11 Piano Trio In A Minor, Op.50, TH.117: Var. IX: Andante flebile, ma non tanto 03:16
• 12 Piano Trio In A Minor, Op.50, TH.117: Var. X: Tempo di mazurka 01:43
• 13 Piano Trio In A Minor, Op.50, TH.117: Var. XI: Moderato 02:10
• 14 Piano Trio In A Minor, Op.50, TH.117: 2. (B) Variazione finale e Coda (Allegretto risoluto e con fuoco -) 07:05
• Dmitri Shostakovich (1906 - 1975): Piano Trio No.2, Op.67:
• 15 Piano Trio No.2, Op.67: 1. Andante - Moderato - Poco più mosso 08:08
• 16 Piano Trio No.2, Op.67: 2. Allegro con brio 03:01
• 17 Piano Trio No.2, Op.67: 3. Largo 06:09
• 18 Piano Trio No.2, Op.67: 4. Allegretto - Adagio 11:29
• Mieczysław Weinberg (1919 - 1996): Piano Trio in A Minor, Op. 24:
• 19 Piano Trio in A Minor, Op. 24: 1. Praeludium and Aria 05:58
• 20 Piano Trio in A Minor, Op. 24: 2. Toccata 03:56
• 21 Piano Trio in A Minor, Op. 24: 3. Poem 10:53
• 22 Piano Trio in A Minor, Op. 24: 4. Finale 11:18
• Total Runtime 01:44:52

Info zu Tchaikovsky, Shostakovich and Weinberg Piano Trios

The Trio Owon was created in 2009 from the merger of three musicians from the Paris Conservatory, united by the same passion for chamber music. Their goal is to share with its audience a fully integrated vision of music, committed by a group without boundaries, resulting from a rich and varied artistic inspiration.Through concerts and recordings in England, France, Russia, Poland, Japan, China Singapore and Korea, Trio Owon already stated its identity made of passion and maturity, like the painter whose name they bear.

Trio Owon:
Emmanuel Strosser, piano
Sung-Won Yang, cello
Olivier Charlier, violin

Sung-Won Yang
Born in Korea, Sung-Won Yang graduated from the Conservatoire National Supérieur de Musique de Paris and was assistant to Janos Starker at Indiana University in the United States. He was invited to be in the jury of the International Competition of Chamber Music in Banff, Canada, the International Cello Competition André Navarra in France, the International Cello Competition Cassado Japan and the Tongyeong International Competition in Korea. Recipient of numerous awards, he is currently a professor of cello at the School of Music Yonsei University in Seoul, visiting professor at the Royal Academy of Music and Artistic Director of the Festival Owon at Chateau de Chaumont sur Loire in France.

In 2009 Sung-Won Yang creates the Trio Owon with violinist Olivier Charlier et pianist Emmanuel Strosser, from the merger of three musicians from the Paris Conservatory, united by the same passion for chamber music. Their goal is to share with its audience a fully integrated vision of music, committed by a group without boundaries, resulting from a rich and varied artistic inspiration. Through concerts and recordings in England, France, and Korea, Trio Owon already stated its identity made of passion and maturity, like the painter whose name they bear. Painter of Nature, emotion and poetry, OHWON Jang Seung Up, embodies for the trio Owon the universal dimension of Art. Contemporary of Brahms, but from a completely different aesthetic world, it symbolizes the quest of an ideal result of tradition and renewal in the nineteenth century Korea. His story brought to the cinema (Strokes of Fire, prized at Festival de Cannes in 2002), reveals the doubts and commitments of an undaunted artist. Beyond the anecdote (his name’s sound summarizes some of our three first names…) here it symbolizes the osmosis between knowledge and modernity.

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