Chopin: Late Piano Masterpieces Sandro Russo

• Frédéric Chopin (1810 - 1849): Scherzo No. 4 in E Major, Op. 54:
• 1 Scherzo No. 4 in E Major, Op. 54 10:55
• 3 Mazurkas, Op. 56:
• 2 3 Mazurkas, Op. 56: No. 1 in B Major 04:36
• 3 3 Mazurkas, Op. 56: No. 2 in C Major 01:39
• 4 3 Mazurkas, Op. 56: No. 3 in C Minor 06:19
• Polonaise-fantaisie in A-Flat Major, Op. 61:
• 5 Polonaise-fantaisie in A-Flat Major, Op. 61 13:31
• Berceuse in D-Flat Major, Op. 57:
• 6 Berceuse in D-Flat Major, Op. 57 04:22
• Barcarolle in F-Sharp Major, Op. 60:
• 7 Barcarolle in F-Sharp Major, Op. 60 08:35
• Piano Sonata No. 3 in B Minor, Op. 58:
• 8 Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso 09:34
• 9 Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo 02:42
• 10 Piano Sonata No. 3 in B Minor, Op. 58: III. Largo 09:24
• 11 Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale - Presto non tanto 05:38
• Total Runtime 01:17:15

Info zu Chopin: Late Piano Masterpieces

Sandro Russo delves into the world of Chopin during his later years. “Chopin – Late Masterpieces” features some of his undisputed treasures from that period.

Though Chopin’s life tragically came to an end at just 39, he remained productive during his final years, and the late-period compositions featured on this album proved inspirational to many composers that came after him, including Debussy, Ravel and Scriabin.

A turning point in Chopin’s late style undoubtedly arose from studying Cherubini’s Treatise on Counterpoint & Fugue (1841), as well as from his continual interest in Bach’s Well-Tempered Clavier, which would be a source of inspiration throughout Chopin’s life. Interestingly, his newly acquired counterpoint mastery wasn’t channeled into new polyphonic forms, but rather into genres he previously treated in a somewhat “homophonic” manner – scherzos, mazurkas and polonaises, to name a few. New contrapuntal twists and inner voices now permeated even simple phrases, as in the middle section of the fourth Scherzo and in the bel canto melodies of the Berceuse and the Barcarolle. The harmonic sophistication and dramatic arch of the latter were unprecedented. Ravel, who wrote extensively about it, referred to its magical ending as a “mysterious apotheosis.”

The album closes with Chopin’s third piano sonata in B minor, a more expansive work than his two earlier sonatas. According to Russo, “while Chopin was generally more prolific in terms of shorter works, his achievement here clearly demonstrates his ability to cohesively weave a broad range of emotions into a larger work.”

Sandro Russo, piano

Sandro Russo
Acclaimed for his profound sense of poetry and distinctive style, Sandro Russo has been in demand as a soloist in many venues around the world. He unanimously receives accolades for his sparkling virtuosity and his playing has often been referred to as a throwback to the grand tradition of elegant pianism and beautiful sound. Garrick Ohlsson referred to Mr. Russo as “an excellent pianist with good sound, technique and range of styles,” while Abbey Simon praises him as "an artist to his finger tips...musical, intuitive, and a master of the instrument.” Born in San Giovanni Gemini, Sicily, Mr. Russo displayed exceptional musical talent from an early age. In 1995, he graduated summa cum laude from the V. Bellini Conservatory and earned the Pianoforte Performing Diploma from the Royal College of Music in London ‘with honors’. While still a student, he won top prize awards in numerous national and international competitions, including Senigallia and the Ibla Grand Prize. During that time, he performed in some of the country’s most reputable concert halls.

Soon after Mr. Russo came to the United States in 2000, he won the Bergen Philharmonic Orchestra Concerto Competition, and performed Liszt’s A major Concerto with Maestro David Gilbert at the Bergen Performing Arts Center in Englewood, NJ. Early in 2002, Mr. Russo gave an acclaimed Chopin recital at the prestigious Politeama Theatre in Palermo, Italy, and later appeared at the Nuove Carriere Music Festival, an international showcase for the world’s most promising young musicians.

Mr. Russo has performed in such prestigious concert halls as the Concertgebouw in Amsterdam, the Konzerthaus Berlin, Weill and Zankel halls at Carnegie Hall, Salle Cortot in Paris and Teatro Politeama in Palermo. His recitals include performances for The Rachmaninoff Society, the Dame Myra Hess series in Chicago, Concerts Grand in Santa Rosa (CA), the American Liszt Society, the Houston International Piano Festival, the Husum Festival of Piano Rarities in Germany and the Chetham's International Piano Festival in Manchester (U.K.), among others. In November 2010 the Italian Academy Foundation presented Mr. Russo in a sold-out Chopin & Schumann anniversary concert at Carnegie Hall. His performances have aired on all the major radio stations in the US, the BBC Radio, RAI Radio 3 and the Slovakian TV.

Mr. Russo has also appeared as a soloist with the Slovak Philharmonic in Bratislava, The Jacksonville Symphony in Florida and The Brussels Chamber Orchestra at the opening gala of The Music Festival of the Hamptons in 2008. In July of the same year he gave three highly praised performances of the Rachmaninoff 3rd Piano Concerto on tour with the Orchestra Sinfonica Siciliana and he was also the featured soloist with the New York Asian Symphony for a Japan tour in 2009.

Mr. Russo’s extensive repertoire comprises well-known masterpieces of all periods as well as more obscure and challenging works of the piano literature, by such composer-pianists as Medtner, Sorabji, Cziffra and others. He has also been given the honor of premiering compositions by Lowell Liebermann, Paul Moravec, and Marc-André Hamelin. Lowell Liebermann wrote of him: “Sandro Russo is a musician's musician, and a pianist's pianist. There is no technical challenge too great for him, but it is his musicianship that ultimately makes the greatest impression. His interpretations reveal a unique and profound artist at work.”

In January 2009, Bechstein-America invited Mr. Russo to record a DVD on the historical 1862 Bechstein piano (#576) owned by Franz Liszt. In addition, the DVD “Sandro Russo Plays the Steinway CD-75 Horowitz Piano” represents the first recording on this legendary instrument after Horowitz’s death. Mr. Russo’s latest recordings, Scarlatti Recreated and Russian Gems – Piano Rarities, released in September 2013 and January 2014 respectively, on the Musical Concepts label have received universally critical acclaim. Sandro Russo is a Steinway Artist.

Booklet für Chopin: Late Piano Masterpieces