Rhodes Mk8 Sessions Bill Laurance

Album Info

Album Veröffentlichung:
2024

HRA-Veröffentlichung:
23.08.2024

Label: Flint Music

Genre: Jazz

Subgenre: Contemporary Jazz

Interpret: Bill Laurance

Das Album enthält Albumcover

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Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 48 $ 4,50
  • 1 Set Piece 03:59
  • 2 Do What You Want 04:57
  • 3 JuJu 03:23
  • 4 What It Is 03:55
  • Total Runtime 16:14

Info zu Rhodes Mk8 Sessions

Leeds, United Kingdom, July 17, 2024 — Grammy-winning pianist, keyboardist, and composer Bill Laurance, who got his start with the jazz fusion band Snarky Puppy and has since built a flourishing solo career, presents the latest ‘Rhodes Sessions’ recordings. In these sessions, Laurance explores the dynamic performance capabilities and diverse sound characteristics of the Rhodes MK8 piano through four original compositions, ranging from swing to indie rock. Recorded at The Nave studio in Pudsey, UK, these live recordings demonstrate the MK8’s versatility and appeal to musicians across various styles and genres.

Impressions of the MK8: Laurance praised the Rhodes MK8’s design and technical prowess, particularly its fluid and responsive action. “The action is unbelievable — so fluid and light. It’s like nothing else,” he remarked. This responsiveness, coupled with the instrument’s Kluge/Steinway keybed, provided an exceptional playing experience. “The MK8 maintains the essence of the original Rhodes sound while offering impressive customization options,” Laurance noted. “You can make it sound like a Mark V or VII with more bark, or you can dial it down as you wish. The capacity to tailor the instrument’s timbre and appearance is remarkable.”

Writing and Composing on the MK8: Laurance’s four compositions — spanning indie rock, straight-ahead swing, funk, and a heartfelt ballad — demonstrate the MK8’s versatility. “What excites me most about the MK8 is its capacity to accommodate a wider spectrum of styles,” he said. Each track in the ‘Rhodes Sessions’ was crafted to showcase the full breadth of the instrument’s capabilities, with Laurance drawing inspiration directly from the MK8 itself. “It’s a whole new world,” he enthused. “The MK8 is incredibly ambitious, integrating effects and the ability to assign pedals, which takes the instrument to another level.”

Laurance was particularly inspired by the specific MK8 piano he used for the sessions, which had been signed by numerous renowned musicians who had tested out the unit previously. “Seeing the MK8 with all the signatures on it was incredible. Knowing that so many amazing musicians had played this instrument was truly inspiring. It felt as if the piano itself was a conduit for creativity, guiding the writing process,” Laurance reflected.

Bill Laurance, Fender Rhodes MK8
Oscar Ogden, drums
Menelik Claffey, double bass, electric bass




Bill Laurance
Grammy award winner and original member of the internationally acclaimed Snarky Puppy, Bill Laurance released his debut album FLINT in 2014 going straight to No1 in the UK and US iTunes Jazz Charts and receiving international critical acclaim.

His second album SWIFT is released on GroundUP Music in Spring 2015.

Classically trained, Bill has worked as a professional musician since he was 14, touring internationally as a pianist, keyboard player, composer, producer and arranger. Bill has recorded and or performed with artists including: David Crosby, Morcheeba, Salif Keita, Bobby McFerrin, Terence Blanchard, Susana Baca, Lalah Hathaway, Laura Mvula, Jacob Collier, Musiq Soul Child, Chris Potter, Lionel Loueke, Carlos Malta, Miss Dynamite and The Metropole Orchestra.

He has worked extensively in the dance world with companies including Alvin Ailey, Ballet Rambert, Matthew Bourne's Adventures in Motion Pictures, Phoenix Dance, Northern Ballet Theatre and the English National Ballet.

Bill runs his own music production company Twenty Thousand specialising in music for film, TV and commercials. Recent clients include Apple Mac, Sky Broadband, Nokia, De Beers, Hewlett Packard and Rigby & Peller.

Bill is a specialist lecturer at the Institute of Contemporary Music in London and continues to give clinics at music institutions around the world.

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