Jazz Impression (Kazumi Watanabe 45th Anniversary Reissue Series) Kazumi Watanabe

• 1 Route65 05:22
• 2 All The Things You Are 06:12
• 3 Impressions 05:23
• 4 Meteor 06:48
• 5 Four On Six 04:12
• 6 A Child Is Born 05:44
• 7 El Dorado 06:55
• 8 Venetian 06:43
• 9 Cool K 07:11
• 10 Hot K 06:04
• 11 Inner Wild 04:51
• Total Runtime 01:05:25

Info zu Jazz Impression (Kazumi Watanabe 45th Anniversary Reissue Series)

Watanabe celebrated his 40th year as a professional musician by recording a straight-ahead jazz album. His trusted trio includes two top jazz musicians -- Yosuke Inoue on bass and Hiroyuki Noritake on drums. The 11 tracks represent Watanabe's eclectic tastes and cover a wide range of the jazz spectrum, from bebop ('Route 65,' 'Four On Six') and standards to funk ('Meteor') to fusion ('El Dorado'). The program even includes a free improvisation with his long-time associate and drummer Hideo Yamaki ('Hot K'). Masahiro Fujioka and Masato Honda guests with their soprano saxophone on a few tunes.

Forty years after his debut, Watanabe shows has truly become one of the top jazz guitarists in the world. This is a wonderful jazz album with a fresh contemporary feel. Highly recommended for fans of jazz guitar!

Kazumi Watanabe, guitar
Yosuke Inoue, bass
Hiroyuki Noritake, drums
Masahiro Fujioka, soprano saxophone
Masato Honda, soprano saxophone
Hideo Yamaki, drums

Recorded May 24-31, 2009 at Astro Studio and Sony Music Studios in Tokyo, Japan

Kazumi Watanabe
lives up to his name as the Japan’s world-class, top jazz guitarist. His quick tempo weaves fascinating ad libs and affluent melodies; he has been noted for elaborately combining various performing techniques and infusing rich expressive power to each and every note to create a one-of-a-kind “Kazumi Sound”. He has made the world his stage for over 40 years, transgressing genres and borders to perform with an outstanding number of domestic and international artists. The natural-born improviser also builds a unique world of composition and arrangements, always pioneering frontier instrumental music.

Born 1953 in Tokyo, Kazumi Watanabe took the piano at the tender age of seven, but picked up the guitar at age 12 inspired by the Ventures. At 15, he was stunned by the music of Wes Montgomery and turned his aspiration to jazz. He made his debut at age 17 with Infinite and was quickly hailed as the guitar prodigy extraordinaire. While playing in Japan’s top-profile groups led by artists such as Masaru Imada, Sadao Watanabe, and Isao Suzuki, he led his own band as well. From around Olive Steps (1977), he rode the wave of popularity of fusion and guitar music, taking in not only jazz fans but also rock fans under his wings. In 1979 he formed KYLYN with then-up-and-coming stars in the Japanese music scene, namely Ryuichi Sakamoto, Akiko Yano, and Shuichi “Ponta” Murakami, and went on to release an album, perform live, and tour. KYLYN earned the recognition as the legendary band that had made a tremendous influence on the Japanese music scene thereafter, with each member still playing pivotal roles in respective scenes. In the fall of that year (1979) Kazumi participated in Yellow Magic Orchestra’s world tour as guest guitarist. His play won rave reviews in everywhere he went, which catapulted his name to international fame.

TO CHI KA (1980), produced by Mike Mainieri, marked an unprecedented sales figure and brought Kazumi to the forefront of the fusion scene. The release was followed by an 11-city tour with Mainieri on vibraphone, Warren Bernhardt on piano and keyboards, Marcus Miller on bass and Omar Hakim on drums. Then up to 1985, he made more epoch-making steps than you could count, such as playing alongside Eddie Gomez and Steve Gadd in the Japan tour of STEPS, a group of cream of the New York-based musicians, as well as the Brecker Brothers Band’s performances at New York’s Seventh Avenue South and their Japan tour, and bassist Jaco Pastorius’ Japan tour to name a few.

On the other hand, Kazumi continued to push the envelope of fusion in Kazumi Band, his own band formed with musicians of notable, extraordinary techniques such as saxophonist Yasuaki Shimizu, keyboardist Masanori Sasaji, bassist Kenji Takamizu and drummer Hideo Yamaki. With another band MoboⅢ, a trio with bassist Greg Lee and Shuichi “Ponta” Murakami, he toured the United States performing 17 shows in 12 cities including New York, enjoying high acclaim in each city. Furthermore, recorded with ultra-heavyweights such as Marcus Miller (bass), Omar Hakim (drums), Robbie Shakespeare (bass), Sly Dunbar (drums), and Michael Brecker (saxophone), album Mobo earned high acclaim as a work of experimental approaches to a new sound. During this time, Kazumi produced a number of seminal works in the history of fusion, and established his stature as Japan’s top guitarist.

In the late 80s, Kazumi actively explored new fields and recorded an album in London with drummer Bill Bruford, the British rock giant renowned for his activities in King Crimson, and bassist Jeff Berlin. The unit toured twelve cities in Japan, and went on to record another album in London as well as doing many more tours, winning overwhelming support from progressive rock fans across the nation. He also led a band with Kei Akagi on keyboards, Bunny Brunel on bass, and John Wackerman on drums, touring 9 cities in the United States and performing at the Montreux Jazz Festival in Switzerland. On a tour sponsored by The Japan Foundation, he visited Indonesia, Sri Lanka, Bangladesh, Thailand, and China, and performed with local musicians.

In the 90s, Kazumi began to immerse himself into acoustic guitar as well, combining it with electric to further expand his musical field. He played strings of European dates such as Barcelona (Spain), Italy, and France with leading free jazz pianist Yosuke Yamashita, as well as Bulgaria and Lisbon (Portugal) with bassist Nobuyoshi Ino, all enjoying high acclaim.

Starting with a guitar duo on Tokyo Music Joy with John McLaughlin back in 1987, Kazumi has presented and continues to present to this day the best part of collaborations with world’s high profile guitarists, exciting enthusiasm in many guitar fans. The long list of collaborated guitarists include Al DiMeola at the Mt. Fuji Jazz Festival in 1993, Larry Coryell on recording sessions and tours, Babik Reinhardt, son of Django Reinhardt at the Django Festival in 1997, Toninho Horta, Ralph Towner, Roland Dyens, and Martin Taylor.

After participating in the Yatsugatake Music Festival directed by contemporary music composer Toru Takemitsu in 1992, Kazumi forged close ties with classical guitarists as well, and began to receive more requests of music contributions and arrangements. This led him to begin exploring the world of unplugged guitar music, and to experiment resonance with the vibrancy of classical music halls. Visit: http://www.kazumiwatanabe.net

Dieses Album enthält kein Booklet