Clairières: Songs by Lili & Nadia Boulanger Nicholas Phan & Myra Huang

• Nadia Boulanger (1887 - 1979):
• 1 Versailles 03:04
• 2 Heures ternes 02:49
• Lili Boulanger (1893 - 1918):
• 3 Reflets 02:44
• 4 Attente 01:52
• Nadia Boulanger:
• 5 Cantique 02:04
• 6 La mer est plus belle 02:43
• 7 Soleils couchants 02:37
• Lili Boulanger: Clairières dans le ciel:
• 8 Clairières dans le ciel: I. Elle était descendue 01:43
• 9 Clairières dans le ciel: II. Elle est gravement gaie 01:37
• 10 Clairières dans le ciel: III. Parfois, je suis triste 03:15
• 11 Clairières dans le ciel: IV. Un poete disait 01:50
• 12 Clairières dans le ciel: V. Au pied de mon lit 02:13
• 13 Clairières dans le ciel: VI. Si tout ceci n'est qu’un pauvre rêve 02:07
• 14 Clairières dans le ciel: VII. Nous nous aimerons tant 02:50
• 15 Clairières dans le ciel: VIII. Vous m’avez regarde avec toute votre âme 01:42
• 16 Clairières dans le ciel: IX. Les lilas qui avaient fleuri 02:42
• 17 Clairières dans le ciel: X. Deux ancolies 01:30
• 18 Clairières dans le ciel: XI. Par ce que j’ai souffert 02:22
• 19 Clairières dans le ciel: XII. Je garde une médaille d’elle 01:33
• 20 Clairières dans le ciel: XIII. Demain fera un an 06:28
• Nadia Boulanger:
• 21 Soir d'hiver 03:22
• Gabriel Fauré (1845 - 1924):
• 22 Lydia 02:52
• Total Runtime 55:59

Info for Clairières: Songs by Lili & Nadia Boulanger

On Clairières, Grammy Award-nominated tenor Nicholas Phan and pianist Myra Huang pay homage to Lili and Nadia Boulanger, two exceptional composers of the 20th century who have often been overlooked in favour of their male counterparts. At the heart of the album is Lilis song cycle Clairières dans le ciel. Alongside are a selection of songs set to poetry by the sisters contemporaries Verlaine, Maeterlinck, Jammes and Samain. Described by the Boston Globe as one of the worlds most remarkable singers, American tenor Nicholas Phan is increasingly recognized as an artist of distinction. Praised for his keen intelligence, captivating stage presence and natural musicianship, he performs regularly with the worlds leading orchestras and opera companies. Also an avid recitalist, in 2010 he co-founded the Collaborative Arts Institute of Chicago (CAIC) to promote art song and vocal chamber music. Acclaimed by Opera News as being among the top accompanists of her generation, pianist Myra Huang regularly performs in recitals and chamber music concerts around the world. In addition to many chamber music concerts and recitals at the Palau De Les Arts in Valencia, Spain, she recently performed recitals at Carnegie Halls Weill Hall, the University of Chicago, and the Metropolitan Museum of Art in New York with tenor Nicholas Phan, and at Carnegie Halls Zankel Hall with soprano Susanna Phillips.

"one of the most beautiful young lyric voices around" –(Opera News)

"Phan's singing is both sultry and refined" –(WQXR-NYC)

"There are so many jewels here Phan's sheer sensitivity is a delight. An absorbing disc and an ideal introduction to the joys of lieder." (TheArtsDesk)

Nicholas Phan, tenor
Myra Huang, piano

Nicholas Phan
Described by the Boston Globe as “one of the world’s most remarkable singers,” American tenor Nicholas Phan is increasingly recognized as an artist of distinction. Praised for his keen intelligence, captivating stage presence and natural musicianship, he performs regularly with the world’s leading orchestras and opera companies. Also an avid recitalist, in 2010 he co-founded the Collaborative Arts Institute of Chicago (CAIC) to promote art song and vocal chamber music.

Phan once again launches his new season in Chicago, curating CAIC’s seventh annual Collaborative Arts Festival. This year’s three-day festival (Sep 5 - 8), “The Song as Drama,” will examine the narrative power of the song cycle and the ability of song to tell epic stories with minimal forces. Other highlights of his 2018-19 season are two role debuts: Eumolpus in Stravinsky’s Perséphone, with Michael Tilson Thomas and the San Francisco Symphony; and the title role in Handel’s Jephtha, with Boston Baroque and Martin Pearlman. The title role in Bernstein’s Candide, with Marin Alsop and the Israel Philharmonic, will mark his debut in Israel. In addition to three programs with the San Francisco Symphony, he will return to major orchestras across the country including the Chicago Symphony Orchestra, Dallas Symphony Orchestra, Cincinnati Symphony Orchestra, St. Louis Symphony Orchestra, and Colorado Symphony. In November he will sing the first of many outings of Schubert’s Die schöne Müllerin this season, as he gives the world premiere of Antoine Plante’s arrangement of the cycle for full orchestra, with Mercury, the Houston-based orchestra of which Plante is the founder. A celebrated recording artist, Phan will be heard on two forthcoming recordings: Berlioz’s Roméo et Juliette with Tilson Thomas and the San Francisco Symphony, (recorded in June 2017); and Handel’s Joseph and His Brethren (recorded in December 2017) with Philharmonia Baroque and Nicholas McGegan, singing the roles of Simeon and Judah.

Phan's most recent solo album, Illuminations, was released on Avie Records in April 2018. His previous solo album, Gods and Monsters, was nominated for the 2017 Grammy Award for Best Classical Vocal Solo Album. His other previous solo albums, A Painted Tale, Still Fall the Rain and Winter Words, made many "best of" lists, including those of the New York Times, New Yorker, Chicago Tribune and Boston Globe. Phan's growing discography also includes a Grammy-nominated recording of Stravinsky's Pulcinella with Pierre Boulez and the Chicago Symphony, the opera L'Olimpiade with the Venice Baroque Orchestra, Scarlatti's La gloria di primavera with Philharmonia Baroque, an album of Bach’s secular cantatas with Masaaki Suzuki and Bach Collegium Japan, Bach's St. John Passion (in which he sings both the Evangelist and the tenor arias) with Apollo's Fire, and the world premiere recordings of two orchestral song cycles: The Old Burying Ground by Evan Chambers and Elliott Carter's A Sunbeam's Architecture.

Phan has appeared with many of the leading orchestras in the North America and Europe, including the Cleveland Orchestra, New York Philharmonic, Boston Symphony, Chicago Symphony, San Francisco Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, National Symphony, Atlanta Symphony, St. Paul Chamber Orchestra, Orchestra of St. Luke's, Philharmonia Baroque, Boston Baroque, Les Violons du Roy, BBC Symphony, English Chamber Orchestra, Strasbourg Philharmonic, Royal Philharmonic, Philharmonia Orchestra of London, and the Lucerne Symphony. He has toured extensively throughout the major concert halls of Europe with Il Complesso Barocco, and has appeared with the Oregon Bach, Ravinia, Marlboro, Edinburgh, Rheingau, Saint-Denis, and Tanglewood festivals, as well as the BBC Proms. Among the conductors he has worked with are Marin Alsop, Harry Bicket, Pierre Boulez, James Conlon, Alan Curtis, Rafael Frühbeck de Burgos, Charles Dutoit, James Gaffigan, Jane Glover, Manfred Honeck, Bernard Labadie, Louis Langrée, Nicholas McGegan, Zubin Mehta, Riccardo Muti, John Nelson, Yannick Nézet-Séguin, Helmuth Rilling, David Robertson, Esa-Pekka Salonen, Masaaki Suzuki, Michael Tilson Thomas, Bramwell Tovey and Franz Welser-Möst.

An avid proponent of vocal chamber music, he has collaborated with many chamber musicians, including pianists Mitsuko Uchida, Richard Goode, Jeremy Denk, Graham Johnson, Roger Vignoles, Inon Barnatan, Myra Huang and Alessio Bax; violinist James Ehnes; guitarist Eliot Fisk; harpist Sivan Magen; and horn players Jennifer Montone, Radovan Vlatkovic and Gail Williams. In both recital and chamber concerts, he has been presented by Carnegie Hall, London's Wigmore Hall, the Metropolitan Museum of Art, the Chamber Music Society of Lincoln Center, the Philadelphia Chamber Music Society, Atlanta's Spivey Hall, Boston's Celebrity Series, and the Library of Congress in Washington, DC. In 2010, he co-founded the Collaborative Arts Institute of Chicago, an organization that promotes the art song and vocal chamber music repertoire of which he is Artistic Director.

Phan's many opera credits include appearances with the Los Angeles Opera, Houston Grand Opera, Glimmerglass Festival, Chicago Opera Theater, Seattle Opera, Portland Opera, Glyndebourne Opera, Maggio Musicale in Florence, Deutsche Oper am Rhein, and Frankfurt Opera. His growing repertoire includes the title roles in Bernstein's Candide, Stravinsky's Oedipus Rex and Handel's Acis and Galatea, Almaviva in Il barbiere di Siviglia, Nemorino in L'elisir d'amore, Fenton in Falstaff, Tamino in Die Zauberflöte, Don Ottavio in Don Giovanni, and Lurcanio in Ariodante.

A graduate of the University of Michigan, Phan is the 2012 recipient of the Paul C Boylan Distinguished Alumni Award. He also studied at the Manhattan School of Music and the Aspen Music Festival and School, and is an alumnus of the Houston Grand Opera Studio. He was the recipient of a 2006 Sullivan Foundation Award and 2004 Richard F. Gold Career Grant from the Shoshana Foundation. In 2018, Phan was appointed to the faculty of DePaul University, where he serves as an adjunct member of the voice faculty.

This album contains no booklet.