Born Blue Elijah Ocean

• 1 Livin' to Love You 02:57
• 2 In a Perfect World 03:12
• 3 Honky Tonk Hole 02:45
• 4 The Ice Machine 03:38
• 5 Thirty-Five 03:15
• 6 Let's Call It a Night 02:43
• 7 Born Blue 03:31
• 8 A Chip off the Barroom Floor 02:52
• 9 Time on My Hands 03:18
• 10 The Writing on the Wall 02:24
• 11 Losin' My Mem'ry 02:59
• 12 The Long Haul 02:18
• Total Runtime 35:52

Info for Born Blue

Acclaimed for consistently capturing audiences’ hearts, Elijah Ocean is widely known for his distinct vocals, catchy melodies, and razor-sharp storytelling.

Born Blue took shape over the course of two years, whittled down from a batch of 30 songs Ocean had crafted. He reached out to Dwight Yoakam sideman and Los Angeles Americana staple Brian Whelan to produce the album. It seemed the perfect match — but creative differences led Ocean to take full control of the project early in the process in order to maintain his vision for the final product. Ocean also took a slight detour along the way, connecting with Peter Donovan of All the Real Girls to record an album for their side project, The Rose Petals, who released the jangle-pop, post-Americana album American Grenadine in early 2020. While not the neo-traditional country Ocean is known for, that album also received heaps of praise, with the Bluegrass Situation pointing out comparisons to the “acoustic 12-string from The Byrds, synthesizer from the ’80s records of Bruce Springsteen, and Beach Boys harmonies.”

The journey to Born Blue has now culminated with twelve songs that are the perfect blend of honky tonk swagger and deeply honest self-reflection. From the upbeat fiddle-filled opening track “Living to Love You” to the regretful pining of “The Ice Machine” to the Peter-Pan-syndrome-testimony of “Thirty Five,” Ocean is a perceptive storyteller of the highest caliber. Add to that the perfect blend of electric guitar, pedal steel, piano and drums, and you get a thoroughly cohesive neo-traditional country album — sure to satisfy listeners old and new.



Elijah Ocean, vocals, guitars, bass (tracks 1, 10, 11)
Zack Hall, bass
Curran McDowell, drums
Stephen Musselman, electric guitar (tracks 4, 7, 11)
Dan Destiny, fiddle
Brent Mason, electric guitar (track 5)
Jeremy Long, piano (tracks 2, 5, 6, 8, 11), steel (tracks 3, 7, 9, 12), accordion (track 10)
Philip Sterk, steel guitar (tracks 1, 2, 4, 5, 6, 8, 11)
Jenee Fleenor, fiddle (track 1)
Adam Hall, banjo (track 1)
Brian Whelan, Wurlitzer (track 4), piano (track 9), rhythm guitar (track 10)

Elijah Ocean
Acclaimed for consistently capturing audiences’ hearts, Elijah Ocean is widely known for his distinct vocals, catchy melodies, and razor-sharp storytelling. He’s opened for legends like Dale Watson and emerging stars such as Charlie Crockett, and backed up like-minded talents Zephaniah OHora and Michaela Anne. He’s played to packed houses from the Mercury Lounge to the Troubadour and is a regular at festivals like Stagecoach, Americanafest, and SXSW. He’s been praised as an artist to watch in Rolling Stone, Saving Country Music, LA Weekly, Uproxx, Wide Open Country, and beyond. Since his first live show, Ocean has worked his way up from total unknown to respected journeyman through his fertile songwriting and irresistible onstage swagger. With a recent move to Nashville under his belt, Ocean and his new album Born Blue (Aug 13th) are primed to take the country music scene by storm.

After over a decade of relentless touring and five previous albums of Americana-tinged singer-songwriter albums, Born Blue is Ocean’s most existential work to date. Self-reflection has been a consistent theme in his writing, but with age comes lived experiences, and his commentaries on timeless themes of devotion, divorce, and drinking have become more tangible and heartfelt. His gift lies in faithfully constructing melodies and lyrics that are rooted in the traditions of the genre, but are undeniably modern and fresh at the same time. Taking cues from artists like Clint Black, Alan Jackson, George Strait, and Dwight Yoakam, Ocean’s aim is to take the baton from the forbearers of the straightforward American storyteller model and extend its reach to old and new fans alike.

Ocean paid his dues on the country music circuit starting in 2009 when he left his home state of Maine for Brooklyn in 2009, and then switched coasts in 2014 when he moved to Los Angeles. He began working as a bass player in dance halls, honky tonks, and casinos, playing country standards and learning all of the ’80s/’90s line dances. These influences can be heard throughout the new album, with the music sounding both contemporary and nostalgic.

Born Blue took shape over the course of two years, whittled down from a batch of 30 songs Ocean had crafted. He reached out to Dwight Yoakam sideman and Los Angeles Americana staple Brian Whelan to produce the album. It seemed the perfect match — but creative differences led Ocean to take full control of the project early in the process in order to maintain his vision for the final product. Ocean also took a slight detour along the way, connecting with Peter Donovan of All the Real Girls to record an album for their side project, The Rose Petals, who released the jangle-pop, post-Americana album American Grenadine in early 2020. While not the neo-traditional country Ocean is known for, that album also received heaps of praise, with the Bluegrass Situation pointing out comparisons to the “acoustic 12-string from The Byrds, synthesizer from the ’80s records of Bruce Springsteen, and Beach Boys harmonies.”

The journey to Born Blue has now culminated with twelve songs that are the perfect blend of honky tonk swagger and deeply honest self-reflection. From the upbeat fiddle-filled opening track “Living to Love You” to the regretful pining of “The Ice Machine” to the Peter-Pan-syndrome-testimony of “Thirty Five,” Ocean is a perceptive storyteller of the highest caliber. Add to that the perfect blend of electric guitar, pedal steel, piano and drums, and you get a thoroughly cohesive neo-traditional country album — sure to satisfy listeners old and new.

This album contains no booklet.