Alan Hovhaness: From the Ends of the Earth Gloriae Dei Cantores, Elizabeth C. Patterson and James E. Jordan Jr.

• Alan Hovhaness (1911 - 2000):
• 1 Cantate Domino, Op. 385 07:26
• 2 Immortality, Op. 134 02:43
• 3 4 Motets, Op. 87 01:36
• 4 Ave Maria, Op. 100 No. 1a 03:30
• 5 A Simple Mass, Op. 282: Prelude 02:21
• 6 A Simple Mass, Op. 282: Lord, Have Mercy 01:56
• 7 A Simple Mass, Op. 282: Glory to God 03:24
• 8 A Simple Mass, Op. 282: We Believe in One God 07:26
• 9 A Simple Mass, Op. 282: Holy 02:50
• 10 A Simple Mass, Op. 282: Lamb of God 03:51
• 11 From the End of the Earth, Op. 187 04:49
• 12 3 Motets, Op. 259: No. 1, Peace be Multiplied 02:58
• 13 3 Motets, Op. 259: No. 2, God Be Merciful Unto Us 05:27
• 14 3 Motets, Op. 259: No. 3, Wisdom 02:23
• 15 Hear My Prayer, O Lord, Op. 149 03:47
• 16 I Will Rejoice in the Lord, Op. 42 06:32
• 17 4 Motets, Op. 87: No. 1, Why Hast Thou Cast Us Off 02:57
• 18 The God of Glory Thundereth, Op. 140 04:41
• 19 O Lord God of Hosts, Op. 27 04:51
• Total Runtime 01:15:28

Info for Alan Hovhaness: From the Ends of the Earth

Gloriæ Dei Cantores Hovhaness Centennial Tribute Surveys Church Works

Over the years, the large Hovhaness discography has shed far more light on his orchestral and chamber works than his fairly substantial output for the human voice. Whereas the operas remain completely neglected, his short sacred choral works are regularly performed, so it's somewhat surprising that only now has a recording appeared dedicated entirely to them.

This welcome DSD was recorded by Gloriae Dei Cantores, on their own label, in February 2011, a few weeks prior to the composer's birth centenary. It offers almost 76 minutes of short choral works, nine in their first recordings and a further two previously recorded for privately-issued LPs that only die-hard Hovhanophiles are likely to have sought out. In total we have here 14 works spread over 19 tracks, of which 11 are commercially available for the first time.

The repertoire spans the 1940s to 1980s, although tracks are not ordered chronologically. There are no overt musical exoticisms or turbulent surprises to be heard here for those already familiar with such aspects of Hovhaness; if anything this survey shows that when it came to small-scale sacred works, he adhered to a more pragmatic mode of expression — this is essentially Hovhaness's Gebrauchsmusik for the church.

Some of the works are composed a capella, others include organ accompaniment, and a few feature vocal or instrumental soli. The vocal writing embodies the essence of Hovhaness: melodic, direct and transparent. It was precisely the widespread appeal of his short sacred works that many a time put "bread on the table" for Hovhaness. For example, one of the most exquisite works recorded here, From the End of the Earth, achieved sales of 5,620 copies according to the composer's 1976 royalty statement from publisher C.F. Peters.

It is hard to imagine a more committed group for Hovhaness than Gloriæ Dei Cantores ('Singers to the Glory of God'), an internationally-renowned choir that has performed on three continents and boasts more than forty recordings, comprising repertory from the medieval period up to the present. Although not especially demanding works for any top-notch choir to perform, the quality of the singing is extremely high, though the acoustic space could have been better for some pieces. Also high is the quality of the 32-page booklet. Lavishly illustrated with attractive background imagery, it contains an overview of Hovhaness's life and musical creed, brief discussion of the works performed, and usefully reproduces all sung texts. Two negatives are that some of the works chosen are far from Hovhaness's best examples in this genre, and the acoustic space lacks a resonance that may have served some of these pieces rather better.

It's as long ago as 1995 since the last all-vocal Hovhaness disc was released (courtesy of Delos) and one suspects that it is by design rather than chance that, apart from the 3-minute Peace be Multiplied (the first of a group of motets), there is no duplication of repertoire in this successor, so hats off to Gloriæ Dei Cantores and their musical director Elizabeth C. Patterson. This much-needed disc helps reduce a gaping hole in the Hovhaness discography, and should go some way to introduce these very accessible works to choirs and music lovers alike, especially outside of the United States, where they remain virtually unknown.

„This group has become an elite choir…“ (American Record Guide)

„A very well done album, superbly sung.“ (Audiophile Audition)

„The performances are carefully shaped, with much attention to intonation, balance, and nuances of phrasing. The album is a worthy contribution to the Hovhaness discography.“ (Fanfare)

In the superb hands and voices of Gloriæ Dei Cantores, Hovhanness clearly aligns himself with a higher authority.” (Gramophone)

Gloriæ Dei Cantores
Elizabeth C. Patterson, direction

Gloriae Dei Cantores (Singers to the Glory of God)
holds a passionate dedication to illuminate truth and beauty through choral artistry, celebrating a rich tradition of sacred choral music from Gregorian chant through the twenty-first century. The choir has received extensive critical acclaim for its artistic elegance, performance authenticity, and compelling spirituality. Sharing its vision of inspiration and hope, Gloriae Dei Cantores has toured extensively, touching the hearts of audiences in 24 countries in Europe, Asia, and North America.

The choir has appeared on the concert stage and in recordings with Keith Lockhart, John Williams, Samuel Adler, Mark O’Connor, Stephen Cleobury, Vladimir Minin, and the late George Guest, Mary Berry, and Margaret Hillis, among others.

Highlights of the choir’s career include three invitational tours of Russia, the opening of the 900th anniversary of St. Mark’s Basilica in Venice, live broadcasts with the BBC, the soundtrack of Lorenzo’s Oil, and performances in some of the finest concert halls throughout Europe. Its discography of 50 recordings is distributed in the United States through Harmonia Mundi. The choir members reside at the Community of Jesus, and they sing weekly worship services and regular concerts at the Church of the Transfiguration.

This album contains no booklet.