Schumann Collection - Works with Wind Instruments (Live) Philibert Perrine, Florent Pujuila, Félix Roth, Caroline Sypniewski, Hortense Carttier-Bresson, Sarah & Theo Fouchenneret

• Robert Schumann (1810 - 1856): 3 Romanzen, Op. 94:
• 1 Schumann: 3 Romanzen, Op. 94: No. 1, Nicht schnell (Live) 02:57
• 2 Schumann: 3 Romanzen, Op. 94: No. 2, Einfach, innig (Live) 03:14
• 3 Schumann: 3 Romanzen, Op. 94: No. 3, Nicht schnell (Live) 03:28
• Fantasiestücke, Op. 73:
• 4 Schumann: Fantasiestücke, Op. 73: I. Zart und mit Ausdruck (Live) 03:29
• 5 Schumann: Fantasiestücke, Op. 73: II. Lebhaft, leicht (Live) 03:02
• 6 Schumann: Fantasiestücke, Op. 73: III. Rasch und mit Feuer (Live) 03:36
• Adagio and Allegro, Op. 70:
• 7 Schumann: Adagio and Allegro, Op. 70: I. Adagio (Live) 03:23
• 8 Schumann: Adagio and Allegro, Op. 70: II. Allegro (Live) 04:36
• Andante und Variationen, WoO 10,1:
• 9 Schumann: Andante und Variationen, WoO 10,1: I. Sostenuto - Andante espressivo (Live) 08:18
• 10 Schumann: Andante und Variationen, WoO 10,1: II. Piu lento - Animato (Live) 05:11
• 11 Schumann: Andante und Variationen, WoO 10,1: III. Doppio movimento (Live) 05:31
• Total Runtime 46:45

Info for Schumann Collection - Works with Wind Instruments (Live)

Für den zweiten Band der mit seinem Bruder Pierre ins Leben gerufenen Schumann-Sammlung hat sich Théo Fouchenneret mit einem feinen Team von Kammermusikern umgeben, um die Reihe der Werke für Bläser und Klavier von 1849 zu verewigen. Wie eine Galerie legendärer Figuren folgen Oboe, Horn und Klarinette aufeinander, um dann in das erstaunliche Andante und Variationen für zwei Klaviere, zwei Celli und Horn überzugehen, in dem die Skizzen mit der Intensität einer ebenso spannenden wie geheimnisvollen Geschichte aufeinander folgen ...

Philibert Perrine, Oboe
Florent Pujuila, Klarinette
Felix Roth, Cor
Caroline Sypniewski, Cello
Sarah Fouchenneret, Cello
Hortense Cartier-Bresson, Klavier
Theo Fouchenneret, Klavier

Philibert Perrine
oined the Conservatoire National Supérieur de Musique of Paris in 2011, under the guidance of Jacques Tys, David Walter and Frédéric Tardy.

He participated in many music festivals (Aix-en-Provence Festival, Yuri Bashmet Festival, among others). He has performed with a varied set of chamber ensembles —notably with the Ensemble Ouranos wind quintet, winner of several international awards. Philibert Perrine is regularly invited to play with renowned orchestras such as the Opéra de Paris, the Orchestre de Paris, the Ensemble Intercontemporain, and the Gustav Mahler Young Orchester, in prestigious concert halls like the Royal Concertgebouw in Amsterdam, the Royal Albert Hall, the Salzburger Festspiele, and many others.

Prize-winner of several international competitions (Crusell, Sony Fundation, Muri), he has been a guest soloist at the Prague Chamber Orchestra, the Gunma Symphony Orchestra, to name but a few.

In 2015, he joined the Orchestre de l’Opéra de Paris as co-soloist oboist and was elected Adami’s Classic Revelation in 2016.

Florent Pujuila
principal clarinet of the Orchestre de Chambre de Paris, appointed in 2017 Génération Spedidam, handles the languages of jazz and classical indistinctly, moving from one to the other without the need for adaptation. He cultivates a form of multi-culturality without borders.

Winner of several international competitions including the prestigious A.R.D. in Munich, Florent Pujuila is a multi-faceted musician. His passion for chamber music leads him to share the stage with performers such as François Salque, Roland Pidoux, Romain Descharmes, Laure Favre-Kahn, Yovan Markovitch, Pierre Fouchenneret, Déborah Nemtanu, Eric Le Sage as well as with some renowned ensembles such as the Strada or Voce quartets.

Florent Pujuila performs in recital in prestigious venues such as the Théâtre des Champs-Elysées in Paris, the Herkulessaal in Munich or the Konzerthaus in Berlin. Solicited for the composition of chamber music works and mixed ensembles, he collaborates with renowned composers such as Pierre Boulez, Luciano Berio, Giorgi Kurtag, Nicolas Bacri or Thierry Escaich.

As a conductor, Florent Pujuila has had the opportunity to conduct several orchestras, including the Orchestre de Chambre de Paris and the Palestinian Traditional Music Orchestra during the premiere of one of his compositions.

Vincent Peirani, Jacques Di Donato, Bernard Lubat and Beñat Achiary are his partners in jazz and improvised music. Florent Pujuila develops his creations in ensembles such as the Pujuila Quartet and the Samuel Strouk Quintet. He is the artistic director of the academy and the festival des Musiques dels Monts. This festival brings together musicians and composers of different aesthetic currents. It proposes a decompartmentalization of genres and allows a dialogue between artists, creators and the public.

Florent Pujuila teaches clarinet at the Conservatoire à Rayonnement Régional de Rueil-Malmaison.

Félix Roth
is a musician with a varied and original profile. As a horn player, composer and arranger, his career has shown great artistic diversity. Trained at the Conservatoire National Supérieur de Musique et de Danse de Paris in André Cazalet's horn class, he explores the possibilities of his instrument by working on the music of his time (Lucerne Festival Academy 2018 with Matthias Pintscher and Peter Eötvös, Ensemble Intercontemporain), while also being passionate about early instruments (Le Concert de la Loge, Orchestre des Champs-Elysées, Insula Orchestra...) and dabbling in jazz improvisation (Cycle Spécialisé Jazz at the CRR de Paris). In 2019, he makes his solo debut with Mozart's Fourth Concerto, accompanied by the Orchestre National d'Auvergne. He is regularly invited to play with some of France's leading symphony orchestras, including the Opéra National de Paris, the Orchestre de Paris, the Opéra de Rouen, the Orchestre des Pays de La Loire and the Orchestre National de Lyon. In chamber music, he has performed with the Kalik and Bergen string quartets. He is an active member of the early music ensemble Sarbacanes. Attracted by musical creation in all its forms, he is currently enrolled on the Writing course at the CNSMDP. He won a prize for harmony and a prize for writing for the twentieth and twenty-first centuries.

Caroline Sypniewski
Born in Toulouse in 1992, Caroline Sypniewski began her cello studies with Blandine Boyer at the Toulouse Conservatoire, where she regularly receives advice from Lluis Claret. She went on to study at the CRR in Paris, before graduating unanimously from Jérôme Pernoo's class at the CNSM in Paris.

A keen chamber musician, she formed a string trio with her two sisters Magdalena and Anna. She has also been invited to take part in various projects such as the Seiji Ozawa String Quartet Academy and the Centre de Musique de Chambre de Paris, and performs in recital and chamber music at numerous festivals.

Caroline was named Révélation Classique de l'Adami 2017, is the recipient of a grant from the Fondation Safran, won the Bonnat-Helleu prize and the Grand Prix de la ville de Ciboure at the Académie Maurice Ravel, and the Ginette Neveu prize at the Carl Flesch Academy.

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