Tchaikowsky: Violin Concerto Classico - Kancheli: Libera me (Quasi-Requiem) [Live] Ilya Gringolts, Warsaw Philharmonic Orchestra & Andrey Boreyko

• André Tchaikowsky (1935 - 1982): Violin Concerto "Classico":
• 1 Tchaikowsky: Violin Concerto "Classico": I. Allegretto (Live) 13:54
• 2 Tchaikowsky: Violin Concerto "Classico": II. Adagio (Live) 07:36
• 3 Tchaikowsky: Violin Concerto "Classico": III. Allegro deciso (Live) 10:36
• Giya Kancheli (1935 - 2019): Libera me (Quasi-Requiem) [Live]:
• 4 Kancheli: Libera me (Quasi-Requiem) [Live] 27:30
• Total Runtime 59:36

Info for Tchaikowsky: Violin Concerto Classico - Kancheli: Libera me (Quasi-Requiem) [Live]

André Tchaikowsky | Concerto classico: Despite the rather numerous and diverse orchestral line-up, the idea of concertare has a more chamber-like character here. The soloist is usually not directly confronted with the massive sound of a full orchestral tutti, but rather is involved in dialogues and interactions with small groups of instruments. (...) With exceptional naturalness, André Tchaikowsky managed to achieve in this concerto a balance between solo violin and a full-scale symphony orchestra, employing textures of a linear, quasi-polyphonic character – enriched, however, by intense and refined harmony and contrapuntal devices drawing on the Baroque tradition. Andrzej Sułek

Giya Kancheli | Libera me (Quasi-Requiem): In his final composition, the “Quasi-Requiem” Libera me, written in the Autumn of 2018, Giya Kancheli bypassed the Latin Responsory from the Catholic Office of the Dead which had inspired composers from Verdi and Fauré to Britten and Penderecki. He chose, instead, to freely set words by two of his country’s greatest poets: Vazha-Pshavela (1861–1915) and Galaktion Tabidze (1892–1959). For most of his life, Kancheli had maintained a respectful artistic distance from these Georgian masters, dazzled by their brilliance, by the “intrinsic musicality” of their poems, loving them too much, in fact, to draw too close. (…)

Near the end of his life, however, Kancheli set reticence aside and allowed the sentiments and revelations of Tabidze and Vazha-Pshavela to influence his imagination and guide him to new music. The text of his Libera me is drawn almost entirely from their work, with the exception of the thirteenth verse, written by the composer to form a bridge between the two poets.

Warsaw Philharmonic Orchestra and Men’s Choir
Andrzej Boreyko, conductor
Ilya Gringolts, violin
Magdalena Schabowska, soprano
Bartosz Michałowski, choir director

Ilya Gringolts
wins over audiences with his highly virtuosic playing and sophisticated interpretations and is always seeking out new musical challenges. As a sought-after soloist, Ilya Gringolts devotes himself to the great orchestral repertoire as well as to contemporary and rare works; he is also interested in historical performance practices. His concert programmes include virtuosic early repertoire by Paganini, Leclair, and Locatelli. At the beginning of the year, he premiered his own arrangement of Beethoven's Diabelli Variations. He also launched new works by Peter Maxwell Davies, Christophe Bertrand, Bernhard Lang, Beat Furrer, and Michael Jarrell. and premieres by Augusta Read Thomas, Michael Jarrell, Christophe Bertrand, and Albert Schnelzer. In the summer of 2020, Ilya Gringolts and Ilan Volkov founded the I&I Foundation for the promotion of contemporary music, which awards commissions to young composers. A first series of short solo works was created last season, including works by Yu Kuwabara and Sky Maclachlan, which debuted on BBC Radio Scottish and at the Accademia Chigiana.

Together with the Bamberg Symphony Orchestra, the violinist started the current season at the Lucerne Festival and also appeared as soloist at the anniversary concert for the season opening of Ensemble Resonanz in the Elbphilharmonie. Further invitations have also taken him to the Vienna Symphony Orchestra, the RSO Vienna, the Budapest Festival Orchestra, Lahti Symphony Orchestra, the SWR Symphony Orchestra, and the Tonhalle Orchestra in his hometown of Zurich, among others.

Ilya Gringolts has performed with renowned orchestras such as the Bavarian Radio Sympho-ny Orchestra, BBC Symphony Orchestra, Los Angeles Philharmonic, NHK Symphony Orches-tra, Israel Philharmonic Orchestra, Singapore Symphony Orchestra, Finnish Radio Symphony Orchestra, Royal Stockholm Philharmonic, St. Petersburg Philharmonic, Deutsches Sym-phonie-Orchester Berlin and the Mahler Chamber Orchestra. Recent highlights have been joint projects with the Santa Cecilia Orchestra, Helsinki Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Warsaw Philharmonic, and the Orchestre National des Pays de la Loire. From the instrument, he has recently conducted projects with the Australian Chamber Orchestra, Franz Liszt Chamber Orchestra, and in the 2021/22 season the Camerata Bern, the Orchestra della Svizzeria Italiana, and Ensemble Resonanz.

For his Diapason d'Or and Gramophone Editor's Choice Award-winning recording of Locatelli's Il labirinto armonico (2021), Ilya Gringolts also led the Finnish Baroque Orchestra from the podium. This was followed in the same year by the solo CD Ciaccona with works by Bach, Pauset, Gerhard, and Holliger, which also received the Gramophone Editor's Choice Award. His extensive discography of highly acclaimed CD productions for Deutsche Grammophon, BIS, and Hyperion, among others, also includes the critically acclaimed recording of Paganini's 24 Caprices for solo violin and the second part of his recording of the complete violin works of Stravinsky (2018), recorded with the Orquesta Sinfónica de Galicia under Dima Sloboden-iouk and awarded the Diapason d'Or.

As first violinist of the Gringolts Quartet, he has enjoyed great success at the Salzburg Festival, Lucerne Festival, Edinburgh Festival, Concertgebouw Amsterdam, Philharmonie Luxembourg, Elbphilharmonie Hamburg, Konzerthaus Dortmund, and Teatro La Fenice in Venice. A highly esteemed chamber musician, Ilya Gringolts regularly collaborates with artists such as James Boyd, Itamar Golan, Peter Laul, Aleksandar Madzar, Nicolas Altstaedt, Christian Poltera, David Kadouch, Antoine Tamestit, and Jörg Widmann.

After studying violin and composition in St. Petersburg with Tatiana Liberova and Zhanneta Metallidi, he attended the Juilliard School of Music, where he studied with Itzhak Perlman. He won the International Violin Competition Premio Paganini (1998) and is still the youngest winner in the competition’s history; he was also named a BBC New Generation Artist at the outset of his career. In addition to his professor position at the Zurich University of the Arts, Ilya Gringolts was appointed to the renowned Accademia Chigiana in Siena in 2021. He plays a Stradivari (1718 "ex-Prové") violin.

Andrzej Boreyko
2020/2021 marks the second year in which Andrzej Boreyko has served as Music and Artistic Director of the Warsaw Philharmonic Orchestra. Last season saw Andrzej Boreyko and the Orchestra perform at the Chopin and his Europe Festival and on an acclaimed tour of Japan. He is now in his seventh season as Music Director of Artis— Naples in Florida.

A popular guest conductor with major orchestras across the globe, Andrzej Boreyko has worked with Berliner Philharmoniker, Konzerthausorchester Berlin, Deutsches Symphonie-Orchester Berlin, Münchner Philharmoniker, Staatskapelle Dresden, Gewandhausorchester Leipzig, Wiener Symphoniker, Concertgebouworkest, Orchestre de Paris, Filarmonica della Scala, Orchestra del Maggio Musicale Fiorentino, Orchestre Philharmonique de Radio France, Tonhalle-Orchester Zürich, London Symphony Orchestra, Philharmonia, and Rotterdams Philharmonisch Orkest. In North America, he has conducted New York Philharmonic, Cleveland Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, and symphony orchestras of Dallas and Detroit. Whilst Principal Guest Conductor of the Radio‐ Sinfonieorchester Stuttgart des SWR, Andrzej Boreyko recorded Arvo Pärt's Lamentate and Valentin Silvestrov’s Symphony No. 6, both for ECM records, as well as the premiere recording of the original version of the Shostakovich’s Suite from Lady Macbeth of Mtsensk and his symphonies Nos. 1, 4, 5, 6, 8, 9 and 15, all on Hänssler Classic. Andrzej Boreyko’s discography also includes H.M. Górecki’s Symphony No. 4 with the London Philharmonic Orchestra on Nonesuch, recorded shortly after the artist conducted the work in concert with them, subsequently performing the American premiere with Los Angeles Philharmonic.

BIS Records has just released Angelus by Victoria Borisova-Ollas, recorded by Andrzej Boreyko with Royal Stockholm Philharmonic Orchestra. Among artist’s other albums, there is also a DVD of Schumann’s Manfred with the Düsseldorfer Symphoniker and Johann von Bülow for Arthaus Musik.

In the years 2012–2017, Andrzej Boreyko was Music Director of the Orchestre National de Belgique. He has also held the positions of Principal Conductor of Poznań Philharmonic, Chief Conductor of the Jenaer Philharmonie (of whom he is now Honorary Conductor and with whom he received awards for the most innovative concert programming in three consecutive seasons from the Deutscher Musikverleger‐Verband), Hamburger Symphoniker, Winnipeg Symphony Orchestra, Berner Symphonieorchester, and Music Director of the Düsseldorfer Symphoniker.

Booklet for Tchaikowsky: Violin Concerto Classico - Kancheli: Libera me (Quasi-Requiem) [Live]