Ba Power Bassekou Kouyaté & Ngoni Ba

• 1 Siran Fen 05:48
• 2 Musow Fanga 04:19
• 3 Abé Sumaya 05:51
• 4 Ayé Sira Bla 05:19
• 5 Borongoli ma Kununban 04:39
• 6 Waati 04:23
• 7 Fama Magni 04:18
• 8 Te Duniya Laban 04:50
• 9 Bassekouni 03:34
• Total Runtime 43:01

Info for Ba Power

Seit seinem Debüt von 2007 hat sich Bassekou Kouyaté zu einem der wichtigsten Musiker seines Heimatlandes Mali entwickelt. Sein 'Markenzeichen' ist die Ngoni, ein lautenähnliches Instrument, mit dessen Hilfe er die Grenzen von Afro-Rock neu und weiter auslotet. Nach zwei Jahren auf Welttournee legt Kouyaté sein neues Album 'Ba Power' vor: ''Ba' heißt in Bambara stark oder groß und außerdem Gruppe. Ich nannte das Album 'Ba Power', weil ich denke, dass die Botschaften auf dem Album sehr wichtig und stark sind und es außerdem das Album mit dem härtesten Sound ist, das ich bislang gemacht habe.“

Für die britische Independent sind Bassekou Kouyaté & Ngoni Ba mit dem neuen, vierten Album “Ba Power” the best rock’n’roll band in the world. Nach zwei Jahren, in denen der Musiker mit dem Vorgängeralbum “Jama Ko” weltweit auf Tournee war, hat Bassekous Band Ngoni Ba die Regler für das neue Album bis zum Anschlag aufgedreht und ein wahres Afro-Rock-Album aufgenommen. Bassekous Spiel auf der Ngoni, einem lautenähnlichen Instrument, war nie intensiver und die Vocals von Bassekous Frau Amy Sacko nie leidenschaftlicher.

Von Beginn der Sessions an war außerdem klar, dass Bassekou auf dem Album auch mit Musikern abseits des Ngoni Ba-Kreises sowohl in und außerhalb von Mali arbeiten wollte und er suchte ganz spezifisch nach instrumentalen Texturen, die er entweder noch nie oder nur selten genutzt hatte wie Trompeten, elektrische Gitarren und einem Schlagzeug. So sind u.a. Chris Brokaw (Come, Thurston Moore Band, Lemonheads), Jon Hassell, Dave Smith (The Sensational Space Shifters, JuJu, Fofoulah), Samba Touré (Ali Farka Touré, Toumani Diabaté), Zoumana Tereta (Oumou Sangare, Lobi Traore) und Adama Yalomba auf dem Album zu hören. Produziert hat Chris Eckman (Tamikrest, Aziza Brahim) und aufgenommen wurde in den MBK Studios in Bamako.“ (Uta Bretsch)

Bassekou Kouyate
Bassekou Kouyate’s extraordinary musical journey shows that he is unquestionably the most innovative and exciting Malian musician to have emerged in recent years. Having defied tradition he continues to push the boundaries of his ancient musical heritage, bringing his music to audiences around the world with his phenomenal live band Bassekou Kouyate & Ngoni ba and three internationally acclaimed albums. Bassekou has become a major star amongst the new generation of African musicians.

Bassekou has been revolutionary in establishing a new role for the Ngoni, a distant ancestor of the banjo and one of the oldest string instruments in Africa. Comprised of three strings, a calabash gourd and a wooden stick, it has been used for centuriesas a secondary orchestral instrument and ceremonial device. By adding strings, developing new techniques of playing and defying tradition by plugging it in and experimenting with sound effects such as the wah-wahpeddle, Bassekou brought the instrument into the musical foreground where it is now a prominent feature of many Malian bands touring today. In Bassekou’s hands this seemingly limited instrument has grown to accommodate a wider melodic range and versatility embracing western styles such as jazz, blues and rock and roll, confirming his status as the originator of the electric ngoni, a virtuoso and a visionary.

Born on 7 August 1966 in Garana, a small village on the banks of the river Niger, Bassekou is descended from a long line of griots. His father Moustapha Kouyate (himself a brilliant musician) was a traditionalist who avoided recording for fear of being punished by God. Bassekou was taught the ngoni by his father, who despite being frustrated by his son’s rebellious spirit and lack of discipline predicted that he would “one day be a great ngoni player.” Pushing the boundaries of what was previously thought possible with this instrument, Bassekou went even further in his rebellion when he eventually formed the first full ngoni band, the Ngoni ba, consisting of ngonis of various sizes and tonal range.

During his formative years in the 1980’s Bassekou established himself as a modernist, co-founding the legendary Malian Symmetric Orchestra, a ground breaking ensemble which challenged the traditional usage of the ngoni. Its success increased his profile outside Mali, bringing him to the attention of international musicians such as Taj Mahal. Bassekou’s virtuosity of the ngoni was later confirmed on the world stage with the legendary Ali Farka Toure’s Grammy Award winning Savane in 2006, a record on which Bassekou played a central role. It was soon after that Bassekou Kouyate & Ngoni ba, was born.

In less than 6 years, since the release of his first album with the Ngoni ba, Bassekou Kouyate has forged a distinctive sound earning him numerous accolades and awards. His debut album Segu Blue released by outhere records, became one of the most celebrated African releases of 2007, and was awarded Album of the Year and Best African Artist at the BBC 3 Awards for World Music. The success attracted American indie label Subpop, who picked up Bassekou’s sophmore album ‘I speak fula’ in 2010 as their first ever world music release. This second album earned him his first Grammy Award nomination in 2011. More up-tempo than its predecessor, the album captured the incredible live energy of Bassekou Kouyate & Ngoni ba prompting the Independent to call them “the best rock’n’roll band in the world”.

His third album Jama ko followed in January 2013 and was produced by Arcade Fire allumni Howard Billerman. Recorded during the coup d’etat which took place in Bamako, Mali in March 2012, the record documents a musician determined to carry his message forth amid a climate of oppression. The album has been celebrated around the world, with the Guardian calling it “defiant, angry new music from Mali by the world's greatest exponent of the ngoni, the ancient West African lute ... Magnificent.”

Now an internationally renowned musician, over the course of his career Bassekou has played with stars such as Bonnie Raitt and Bono and won praise from legends like Eric Clapton. He also made a foray into blues and country with Taj Mahal and created freewheeling improvisations with banjo maverick Bela Fleck. Having regularly appeared on line-ups with Africa Express and Afrocubism in 2011 and 2012, he has performed on stage with the likes of Sir Paul McCartney, John Paul Jones, Damon Albarn and many more.

Comprised of his wife Amy Sacko (a popular Malian singer often hailed as “the Tina Turner of Mali’) and sons Madou and Mustafa Kouyate, Bassekou Kouyate & Ngoni ba now tour the world playing hundreds of performances a year ranging from New York’s Central Park and Fuji Rock in Japan to Glastonbury and Latitude festivals.

Grammy Award nominated Bassekou Kouyate is the ambassador of the ngoni. It is his daring reworking of his musical heritage that makes him a truly contemporary African musician - a visionary and a maverick who has completely changed our perception of this ancient instrument. By reviving one of the oldest instruments in the world he has bridged the gap between the music of his forefathers to the 21st Century, distinguishing him as an exceptionally talented artist of international stature.

Booklet for Ba Power