Songs on the Eve of Dismissal Chris Abelen & Bastiaan Geleijnse feat. Lorena del Mar

• 1 Song on the Eve of Dismissal 04:57
• 2 Prayer to the Shareholder 04:55
• 3 Off-Site Weekend 03:31
• 4 Imposter Syndrome 05:19
• 5 Out of the Box 03:34
• 6 At Home 05:18
• 7 Nobody Told Me 04:45
• 8 Honey Text Me Back 02:51
• 9 I Hate to Let You Go 03:21
• Total Runtime 38:31

Info for Songs on the Eve of Dismissal

Songs on the eve of dismissal, as the title suggests, is a project about working in an office, and the main emotions involved in present-day office life: fear and loss of individuality. With millions of people worldwide trying to survive the next reorganization while doing their job, this is a serious subject which connects to a large group; at the same time, not many songs have been written about it – up to now, that is! Sad songs, but high-spirited ones as well: like the one they sang going to their last off-site, or the respectful but frank Prayer to the shareholder. The project consists of about 22 pieces (2 sets), 9 of them with vocals. The other compositions (for a 7-piece line-up) have already been published in the 2016 instrumental album A day at the office. The instrumental compositions will also be used as a background for spoken contributions by Bastiaan Geleijnse.

"The proof’s in the final report. The players don’t sound like they’re watching the clock, waiting for work to be over. They sound psyched, rested and ready. Putting this music together, Chris Abelen struck a blow for worker comfort, efficiency, and effective time management." (Kevin Whitehead)

"The pharmacy was closed when the many tired ghosts of Miles Davis decided to in vivo freak this band. Suitable for zombies and psychedelics. #livingdeadcharm" (Fiona Ord-Shrimpton, All About Jazz)

Lorena del Mar, voice
Angelo Verploegen, trumpet
Floris van der Vlugt, alto saxophone
Chris Abelen, trombone
Tini Thomsen, baritone saxophone
Thijs Huijbens, guitar
Ulrich Wentzlaff-Eggebert, double bass
Yonga Sun, drums

Chris Abelen
started, as many trombonists, with the trumpet (at the age of 11). At the age of 18 he switched to the trombone. He studied classical trombone with Charles Toet and Henri Aarts, and after 4 years switched to Amsterdam to study jazz and improvised music with Willem van Manen, former 1st trombonist of the Willem Breuker Kollektief. When Van Manen left, shortly replaced by Garrett List, Abelen started to perform with the Kollektief in the summer of 1984. After extensive touring with this band he left at the beginning of 1988, to start his own band, and to perform with others.

The first band was the Chris Abelen sextet, with Tobias Delius, Bo van de Graaf, Wilbert de Joode, Martin van Duynhoven and Jan Kuiper. Their first perfomance was on the Klap of the Vuurpijl, a festival organized by Willem Breuker between Christmas and new year's eve in Amsterdam. Unfortunately the Dutch Radio Broadcast Corporation lost the recordings fo this concert. After some concerts Abelen decided to continue with a quartet, so Kuiper and Van de Graaf left the band. The Chris Abelen Quartet performed once, for a VPRO radio broadcoast in O42 in Nijmegen, the Netherlands. From this recording the title track Plint is on the EP Plint (CAMP 005), with a great tenor solo from Delius. After this one-time concert Abelen decided to replace Martin van Duijnhoven by Charles Huffstadt, and asked Corrie van Binsbergen to join the quintet. They started in the studio with a recording of Dance of the Penguins (1996). A 2nd album was recorded live in 1999, What a romance. Before starting this Chris Abelen Quintet, Abelen was commissioned for a 2nd time to write for the Klap op de Vuurpijl for a 10-piece band, with Ab Baars, Paul Termos, Frans Vermeersen, Eckard Kolterman, Eric Boeren, Larry Fishkind, Michael Vatcher and Wilbert de Joode. Years later (in 2002) Abelen decided to release these recordings and produced his 3rd album PROOST (dutch for 'cheers'). The 4th album, Space, was recorded with the quintet, a string quartet (Zapp4) and Ab Baars on clarinet. In 2016 Abelen released his 6th album, A day at the office, for a septet with a new line-up, with Angelo Verploegen, Floris van der Vlugt, Tini Thomsen, Thijs Huijbens, Ulrich Wentzlaf and Yonga Sun. This album is part of a new project which Abelen is working on with Bastiaan Geleijnse, a Dutch cartoonist (Fokke & Sukke), who is writing the text and lyrics.

Beside his own bands Abelen toured and recorded with the Contraband, from his former teacher Willem van Manen, and with other dutch bands, such as I Compani, Paradise Regained Orchestra, Eric van der Westen Octet, Dick de Graaf Septet. Chris Abelen is also working as a professional engraver (Finale/Apple), for publishers as Boosey & Hawkes (London), Donemus, Universal and for orchestras as the Los Angeles Philharmonic, Royal Concertgebouw Orchestra (Amsterdam), Asko/Schönberg (Amsterdam), Metropole Orchestra (the Netherlands), Netherlands Philharmonic Orchestra and others. Abelen started with digital engraving in 1992, when Willem Breuker needed some help with his Atari.

Composers among others Louis Andriessen, Martijn Padding, Willem Jeths, Geert van Keulen, Elmer Schönberger, Bernard van Beurden, Willem Breuker.

This album contains no booklet.