Le parfaict danser. Dance Music 1300-1500 Into the Winds

• Anonymous: La Tierche Estampie Roial & Danse:
• 1 Anonymous: La Tierche Estampie Roial & Danse 04:11
• Suite de ducties:
• 2 Anonymous: Suite de ducties 03:42
• Retrove:
• 3 Anonymous: Retrove 02:59
• La Manfredina & La Rotta:
• 4 Anonymous: La Manfredina & La Rotta 03:34
• Domenico da Piacenza (1390 - 1470): Bassadanze Zoglioxa (Arr. for Wind Ensemble and Percussion by Pascale Boquet):
• 5 Piacenza: Bassadanze Zoglioxa (Arr. for Wind Ensemble and Percussion by Pascale Boquet) 02:20
• Antonio Cornazzano (1430 - 1484): La Figlia di Guglielmino:
• 6 Cornazzano: La Figlia di Guglielmino 01:16
• Giovanni Ambrosio: Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet):
• 7 Ambrosio: Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) 01:49
• Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat):
• 8 Ambrosio: Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat) 01:40
• Voltate in Ça Rosina (Arr. for Wind Ensemble and Percussion by Ian Harrison):
• 9 Ambrosio: Voltate in Ça Rosina (Arr. for Wind Ensemble and Percussion by Ian Harrison) 01:28
• Antonio Cornazzano: Re di Spagna (Arr. for Wind Ensemble and Percussion by Pascale Boquet):
• 10 Cornazzano: Re di Spagna (Arr. for Wind Ensemble and Percussion by Pascale Boquet) 01:31
• Francisco de la Torre (1470 - 1504): Danza Alta:
• 11 Torre: Danza Alta 01:03
• Heinrich Isaac (1450 - 1517): Missa "La Spagna":
• 12 Isaac: Missa "La Spagna": II. Gloria 01:13
• 13 Isaac: Missa "La Spagna": V. Agnus Dei 01:32
• Gilles Binchois (1400 - 1460): Triste plaisirs:
• 14 Binchois: Triste plaisirs 02:19
• Anonymous: Basse-danse Triste plaisirs (Arr. for Wind Ensemble and Percussion by Pascale Boquet):
• 15 Anonymous: Basse-danse Triste plaisirs (Arr. for Wind Ensemble and Percussion by Pascale Boquet) 01:33
• Pavane La Monina (Arr. for Wind Ensemble and Percussion by Adrien Reboisson):
• 16 Anonymous: Pavane La Monina (Arr. for Wind Ensemble and Percussion by Adrien Reboisson) 02:30
• Saltarello La Comarina:
• 17 Anonymous: Saltarello La Comarina 01:55
• Ballo Tentalora:
• 18 Anonymous: Ballo Tentalora 01:08
• Saltarello El Marchese di Saluzzo:
• 19 Anonymous: Saltarello El Marchese di Saluzzo 02:01
• Hilaire Penet (b. 1501): Au joly boys:
• 20 Penet: Au joly boys 02:45
• Claudin de Sermisy (1490 - 1562): Au joly boys:
• 21 Sermisy: Au joly boys 01:57
• Vincenzo Ruffo (1508 - 1587): La Gamba in Basso e Soprano:
• 22 Ruffo: La Gamba in Basso e Soprano 01:24
• Diego Ortiz (1510 - 1570): Recercada Quarta (Arr. for Wind Ensemble and Percussion by Adrien Reboisson):
• 23 Ortiz: Recercada Quarta (Arr. for Wind Ensemble and Percussion by Adrien Reboisson) 02:09
• Thoinot Arbeau (1520 - 1595): Basse-danse Jouissance vous donneray (Arr. for Wind Ensemble and Percussion by Pascale Boquet):
• 24 Arbeau: Basse-danse Jouissance vous donneray (Arr. for Wind Ensemble and Percussion by Pascale Boquet) 01:47
• Pierre Attaingnant (1494 - 1552): Second livre de danseries:
• 25 Attaingnant: Second livre de danseries: Tourdion C’est grand plaisir 00:57
• Claude Gervaise (1540 - 1583): Sixième livre de danseries:
• 26 Gervaise: Sixième livre de danseries: Pavane Passemaize, Passemèzes d’Italie & Gaillarde 02:54
• Troisième livre de danseries:
• 27 Gervaise: Troisième livre de danseries: Suite d’Allemandes 01:32
• Jean d’Estrées (1666 - 1718): Premier livre de danseries:
• 28 d’Estrées: Premier livre de danseries: Suite de Bransles de Champaigne 02:23
• Pierre Attaingnant: Neuf basse dances:
• 29 Attaingnant: Neuf basse dances: Basse-danse La Brosse 02:00
• Anonymous: Gallicum Sine Nomine:
• 30 Anonymous: Gallicum Sine Nomine 01:50
• Jean d’Estrées: Premier livre de danseries:
• 31 d’Estrées: Premier livre de danseries: Suite de branles gay 02:04
• Total Runtime 01:03:26

Info for Le parfaict danser. Dance Music 1300-1500

"Der perfekte Tanz entsteht durch das Gedächtnis, das Tempo, den Stil, die Art und Weise, wie der Körper gehalten wird, die Vielfalt der Dinge und das Teilen des Raums...". So beginnt eines der ersten Tanztraktate der Geschichte, verfasst vom italienischen Tanzmeister Antonio Cornazzano im 15. Jahrhundert. Wenn man über die von ihm beschriebenen Schritte und Figuren hinausgeht, versteht man die symbolische Rolle dieser Kunst und ihr Ziel, die irdische Menschheit mit dem Reich Gottes zu vereinen. Die vorliegende Aufnahme greift diese universalistische Vision auf, indem sie den Faden der ersten notierten Tänze verfolgt und die Lieder oder Stücke erforscht, die manchmal auch die Quelle und Inspiration für raffiniertere Kompositionen waren: Estampies und andere vergessene Tänze des Mittelalters; aristokratische Basse-danses, die am Hof von Burgund in Mode waren; Saltarelli der aufstrebenden italienischen Renaissance; Allemandes und berauschende Branles, die bei den Festen von François I. getanzt wurden. Auf dieser Aufnahme erkundet Into the Winds mit Freude eine große Vielfalt an Räumen und Ästhetiken und offenbart einmal mehr die Zeitlosigkeit dieser Kunst.

Anabelle Guibeaud, Schalmeien, Blockflöten
Marion Le Moal, Schalmeien, Blockflöten
Adrien Reboisson, Schalmeien und Blockflöten
Rémi Lécorché, Sackbut, Zugtrompete, Blockflöten
Laurent Sauron, Schlagzeug

Into The Winds
At its essence, Into the Winds is a sound—at once powerful, striking, hypnotic, and singular— created by wind instruments with unique and colorful timbers rooted in Europe’s Middle Ages and Renaissance.

The invigorating breath and pulsating energy of these instruments invite listeners on an immersive sensory journey through time and space.

Blending East and West, past and present, Into the Winds transports connoisseurs and newcomers alike with soundscapes as intimate, sensual, and refined as they are surprising, spectacular, and grandiose. Through a process of research, creation, and reinvention that intermingles sacred and secular music, Into the Winds tells singular stories of universal appeal, kindling the imaginations of its audiences. From the gothic breath of trumpets echoing through early cathedrals to the songs of troubadours exalting courtly love and chivalric virtues, from the brilliant melodies of shawms enlivening balls and feasts to the nonchalant virtuosity of tambourines and recorders improvising in princely palaces, listeners are called body and soul to adventure, contemplation, and discovery.

Always on the lookout for fresh sensations and new challenges, Into the Winds channels the spirit of bygone ages with elegance, simplicity, authenticity, and conviction, juggling myriad instruments while grooving like a big band, and driven by the energy, joy, and pleasure of sharing with audiences.

In 2019, Into the Winds won the jury prize at the Oude Muziek Festival Utrecht’s Van Wassenaer International Competition. As part of the EEEMERGING+ programme, they participated in the Festival of Ambronay in 2020, as well as benefited from a residency there in November 2020, that they will get the chance to do again in 2021.

Booklet for Le parfaict danser. Dance Music 1300-1500