Beautiful Teena Marie

• 1 Luv Letter 04:37
• 2 Sweet Tooth 05:36
• 3 Rare Breed 04:38
• 4 Love Starved 04:45
• 5 Definition Of Down 04:48
• 6 Maria Bonita 05:15
• 7 Beautiful (For Alia) 05:44
• 8 The Long Play 06:30
• 9 Carte Blanche 05:17
• 10 Give Me Your Love 04:56
• 11 Wild Horses 05:17
• 12 The Perfect Feeling 05:49
• Total Runtime 01:03:12

Info for Beautiful

Teena Marie alias “Lady Tee“ war die “Elfenbein-Königin des Souls“: Jeder R&B-Fan kennt ihre Hits “I´m A Sucker For Your Love“, “Behind The Groove“, “Square Biz”, “Lovergirl” und natürlich das übers Fugees-Sample weltberühmte “Ooo La La La”. 2010 verstarb die forsche Funk-Queen mit nur 54 an einem Infarkt.

Nun erscheint das posthume 14. Album „Beautiful“ der R&B-Ikone. Bis zuletzt arbeitete Teena Marie daran in ihrem Heim-Studio in Pasadena, Kalifornien. Quasi komplett fertig gestellt, fehlten die finalen Mixe und einige Overdubs.

Vollendet hat „Beautiful“ Teena Maries 20jährige Tochter Alia Rose. Nachdem sie bereits Background auf den letzten drei Alben von Teena Marie gesungen hat (angefangen mit ihrem 2004 veröffentlichten US-Top-10-Comeback “La Dona“), ist sie mit ihrer Mutter auf zwei Songs von Beautiful zu hören: einem Cover von Curtis Mayfields “Give Me Your Love” und dem neuen Original-Song “Rare Breed” (mit weiteren Background-Vocals von Rick James´ Tochter Ty James).

Co-Produzent von Beautiful ist Teenas langjähriger Musical Director, der Bassist und Komponist Doug Grigsby, bekannt über seine Arbeit mit Michael Jackson, Patti LaBelle, Mariah Carey, Stephanie Mills, Teddy Pendergrass, Rick James und Luther Vandross.

Die Aufnahme und der Mix gehen auf das Konto des Sound-Engineers Erik Zobler, dessen Studio-Credits Jackson’s “Off the Wall“-Album einschließen, neben Studio-Arbeit für Miles Davis, Natalie Cole, Whitney Houston, Anita Baker und Gladys Knight.

Die erste Single “Luv Letter“ schlug im November und Dezember 2012 bereits im US-Urban-Radio hohe Wellen. Der Song ist eine Hommage an Teena Maries Wurzeln im Motown-Sound. Das arabisch anmutende “The Perfect Feeling“ war eigentlich schon für “La Dona“ vorgesehen. Das sexy, freche “Sweet Tooth“ ist eine Hommage an den Old-School-Hip-Hop der US-Westküste. Mit “Love Starved”, “Definition of Down”, “The Long Play” (mit Tees langjährigem Backgroundsänger De De O’Neal) und “Cart Blanc” (co-geschrieben mit ihrer engen Freundin Daphne Wayne) gibt es eine ganze Serie Love-Songs. Dazu kommt eine neue Version ihrer “Wild Horses“ (original aus Tees 1994er-Album Passion Play).

Vom Disco-Funk der späten 1970er über den Nu-Soul der 1990er bis hin zum Erwachsenen-Hip Hop der Nullerjahre hat Teena Marie als womöglich einzige weiße Sängerin R&B-Geschichte gemacht. Drei Jahre nach “Lady Tees“ frühzeitigem Tod wird Beautiful ihrem großen Erbe gerecht.

„Der Sound erinnert in seiner satten Abmischung an die synthetischen Achtziger, die Songs sind solide Genre-Stücke in der Tradition von Randy Crawford, Marvin Gaye und Curtis Mayfield. So wurde „Beautiful' ein stilnostalgisches Soul-Album, das dokumentiert, dass Teena zu den Großen ihres Fachs gehörte.' (stereoplay)

Teena Marie, vocals, keyboards
Doug Grigsby, guitar, keyboards
Stan Davis, guitar, keyboards, percussion, drum programming
David Starks, guitar
Wali Ali, guitar
Ray Fuller, guitar
Morris O'Connor, guitar
Jeanette Harris, woodwinds, brass, horns
William Artope, horns
John Bokowski, keyboards
Brian Kilgore, percussion
James Allen, drum programming
Alia Rose, vocals
Verline Beard, vocals
Demetrice O'Neal, vocals
Tracy Hazzard, vocals
Bridgette Bryant, vocals

Recorded at Rosie's Room, Pasadena, CA.
Engineered by Erik Zobler

Teena Marie
Before her untimely death at the age of 54 on the day after Christmas 2010, Teena Marie, known as “Lady Tee,” the Ivory Queen of Soul, wrote, produced, arranged and sang on 13 albums that have sold 2.5 million copies in the soundscan era. Starting with her 1979, Rick James-produced debut, Wild and Peaceful, Teena Marie’s many soul and R&B hits include “Square Biz,” “Behind the Groove,” “I Need Your Lovin’,” “Fire and Desire,” “Lovergirl” and “Ooo La La La,” a song famously sampled by the Fugees.

Teena Marie was working on her 14th and latest album for Universal Music Enterprises, Beautiful, at the time of her passing, the follow-up to 2009′s Congo Square, which peaked at #4 on the R&B chart and went to #20 on the album chart, producing the Top 12 Urban AC hit, “Can’t Last A Day.” Recorded at her Pasadena home studio and finished except for final mixes, Beautiful was seen through to its conclusion by Teena’s 20-year-old daughter Alia Rose, who sings with her Mom on two tracks, a cover of Curtis Mayfield’s “Give Me Your Love” and “Rare Breed,” which she co-wrote (Alia co-wrote two more songs on the album, “Sweet Tooth” and the title song). The first single, “Luv Letter,” which has just gone to radio, is just that, an homage to Tee’s Motown roots, with nods to Stevie Wonder’s “Signed, Sealed, Delivered I’m Yours,” and a dedication to Alia’s father, who just happened to be a postman, like in the Marvelettes’ song of the same name.

The project, with its intimations of death, was a difficult one for Alia, with her mom seemingly prescient about her destiny on songs like “Rare Breed,” where she sings, “I could say I have the world here in my hands and I believe/The angels slept beside me to protect my very dreams.” She even plays a radio DJ “broadcasting to you from a heavenly station” in “The Long Play.” “It was a very dark and emotional time for me,” explains Alia, who has just opened a Hollywood recording facility, Chateau Marie, as a memoriam, with partner, Odd Future’s “Syd tha Kyd” Bennett, using much of the equipment from her mom’s home studio. “The project was a bittersweet thing. I knew that only I could get it done, but I almost didn’t want to finish because I knew it would be the last time I’d get to work on it.”

The album was co-produced by Teena’s longtime musical director, bassist/composer Doug Grigsby, whose credits include Michael Jackson, Patti LaBelle, Mariah Carey, Stephanie Mills, Teddy Pendergrass, Rick James and Luther Vandross, among others. It was recorded and mixed by Erik Zobler, whose studio credits include Jackson’s Off the Wall as well as recording projects with Miles Davis, Natalie Cole, Whitney Houston, Anita Baker and Gladys Knight, among many others. But the real impetus came from Teena’s only daughter, who made sure this final product would do justice to her mom’s legacy.

“If you listen to the lyrics, it’s almost as if she was making that transition to the spiritual world as the record was being made, which is incredible,” says Alia. “It’s like we’re going on this journey with her.” Songs like “Rare Breed,” which also features the late Rick James’ daughter Ty lending vocal support, “The Long Play” and the closing, Middle-Eastern flavored “The Perfect Feeling,” a track which was originally slated to go on Tee’s 2004 comeback album, La Dona, lend to the eerie sensation that the late performer is speaking to us from the other side, almost as if she knew her time was up.

“That made the album very hard for me to listen to,” agrees Alia, who acknowledges her mom dedicated the record, as well as its title song, to her. “I’ve been on a journey myself. And when we began mixing it, my life and perception of things started to change. Hearing the complete work, it’s an amazing, incredible piece. I honestly don’t know how it got done. She just left it there for me to do.”

Indeed, Beautiful‘s title track is a lush ballad composed by Teena Marie when she was vacationing on the Turks and Caicos Islands with Alia, who recalls is gestation, “just walking on the beach, having fun in the sand… thinking about how much of herself was in me.”

The sexy, sassy “Sweet Tooth,” which Alia co-wrote and sings on, was a tribute to “old-school West Coast hip-hop…She was thinking of Snoop when she did that.” “Love Starved,” “Definition of Down,” “The Long Play” (featuring Tee’s longtime back-up singer De De O’Neal) and “Cart Blanc” (co-written with close friend Daphne Wayne) are love songs dedicated to finding a true romance and then sticking with them through thick and thin. “I think my mom had many experiences in romance,” says Alia. “She was a bit of a hopeless romantic, so much so that I don’t think she was ever completely satisfied. I think that’s why she wrote such amazing love songs. That was her expertise.”

The finale, “The Perfect Feeling,” about the commingling of two souls in eternity, is rooted in the Beatles’ trip to India and George Harrison’s sitar-flavored songs like “Within You, Without You” and “While My Guitar Gently Weeps.”

“My mother was a Beatles fanatic,” says Alia. “She was crazy about them. That’s why I love the song. It has that vibe. I jut listen to it and cry. It’s that beautiful.”

Now that Beautiful is about to be released, Alia is looking forward to thinking about her own future in music with her new recording studio. “I get to help other people, and if something comes along for me, of course, I will take that opportunity,” she says. “My mom always intended for her studio to be used by my friends, and now that’s going to be what happens.” At the end of the day, though, Alia Rose is a young woman that lost her mother, who just happened to be a “rock star,” as she describes her, at a too-young age.

“My mom and I were very close,” she says. “We talked. I’m very much like my mother. She was not just my mom, she was my best friend and my sister. We fought like sisters, too. I know what real love is from my mom.” As for preserving her mom’s legacy on Beautiful, Alia says, “I want people to view it as the beautiful piece of art is it. I want the fans to enjoy it because my mother loved her fans more than anything. I’m going to let them decipher what it’s all about, because it’s pretty self-explanatory. It’s pretty amazing. It actually does sound like a final project.”

Beautiful is a mother’s gift to her daughter, who returns the gesture the only way she knows how, by completing it. The end result is a true labor of love.

This album contains no booklet.