Bruckner, Martin: Une messe imaginaire Spirito & Nicole Corti

• Anton Bruckner (1824 - 1896): Ave Maria, WAB 6:
• 1 Bruckner: Ave Maria, WAB 6 03:25
• Vexilla regis, WAB 51:
• 2 Bruckner: Vexilla regis, WAB 51: Vexilla Regis, WAB 51 05:31
• Frank Martin (1890 - 1974): Messe pour double chœur:
• 3 Martin: Messe pour double chœur: Kyrie 05:29
• 4 Martin: Messe pour double chœur: Gloria 06:26
• Anton Bruckner: Os justi, WAB 30:
• 5 Bruckner: Os justi, WAB 30: Os Justi, WAB 30 04:20
• Frank Martin: Messe pour double chœur:
• 6 Martin: Messe pour double chœur: Credo 06:06
• Anton Bruckner: Tantum Ergo, WAB 32:
• 7 Bruckner: Tantum Ergo, WAB 32 04:01
• Frank Martin: Messe pour double chœur:
• 8 Martin: Messe pour double chœur: Sanctus 04:14
• 9 Martin: Messe pour double chœur: Agnus Dei 05:14
• Total Runtime 44:46

Info for Bruckner, Martin: Une messe imaginaire

Anton Bruckners umfangreiches Werk, das allzu oft auf seine monumentalen neun Sinfonien beschränkt wird, ist durch den Ausdruck seines tiefen katholischen Glaubens geprägt. Der christliche Glaube, allerdings calvinistischer Ausprägung, bewegt auch Frank Martin in seiner berühmten Messe für Doppelchor. Nicole Corti und der Chor Spirito verbinden in einer „imaginären Messe“ Bruckners A-cappella-Motetten mit Martins Messe.

Spirito
Nicole Corti, Leitung

Nicole Corti
Conductor and choir director Nicole Corti is also a passionate and accomplished teacher. This dual vocation permeates the whole of her career, which is largely focused on the voice through the contemporary repertoire and the great works of the sacred repertoire.

Nicole Corti was the first woman to be accepted into the conducting class at the Lyon Conservatoire, and her encounters with conductors Sergiu Celibidache and Pierre Devaux, ethnomusicologist Yvette Grimaud, and composer and organist Raffi Ourgandjian, among others, were fundamental to her musical approach.

In 1981, she founded the Britten Choir, and with this ensemble achieved international renown through numerous concerts in Europe and the United States. Each of these concerts was an opportunity for Nicole Corti to showcase her proposals, particularly in terms of sound colour.

It is this very special approach that has encouraged a number of composers to write for the ensemble and to contribute to its original and audacious programmes.

In 1993, Nicole Corti was appointed head of the choir at Notre-Dame de Paris. She expanded the concert programme there, favouring music from the 20th and 21st centuries while conducting the great works of the Romantic and oratorio repertoires (Bach, Handel, Mendelssohn, Stravinsky, etc.).

In 2008, she became head of the only choral conducting class at the national conservatoires in Lyon, where she is committed to training the next generation of professional choral conductors. Working with a number of renowned orchestras, she is responsible for preparing the choirs: the Ensemble Orchestral de Paris, conducted by John Nelson (Bach’s Passions and Mass in B, Berlioz’s Enfance du Christ, etc.), the Orchestre National de Lyon for Ravel’s Daphnis et Chloé conducted by Emmanuel Krivine, and most recently alongside Leonard Slatkin as part of the Orchestre National de Lyon’s complete Ravel programme for a concert at the Salle Pleyel and a recording to be released by Naxos.

Convinced of the need to present the major works of the choral repertoire, and drawing on the experience she has gained with the Britten Choir in working with complex and demanding music, Nicole Corti has begun work on the great sacred works of Bach, conducting in particular Bach’s Mass in B, St John Passion, St Matthew Passion and Magnificat.

Her discography includes critically acclaimed recordings, notably Duruflé’s Requiem with the Maîtrise de Notre-Dame de Paris (Choc du Monde de la musique), André Caplet’s Miroir de Jésus with the Britten Choir (5 Diapasons) and a selection of works by Jean-Louis Florentz (Diapason d’or). She has also recorded Ohana, Procaccioli, Pascal, Ourgandjian (E.V.B.B.), Jean-Pierre Leguay’s Missa Deo gratias, En l’honneur de sainte Anne (works by Joseph-Guy Ropartz) and Édith Canat de Chizy’s Livre d’heures, all three for the Hortus label. The quality of Nicole Corti’s work has twice been recognized by the Académie des Beaux-Arts’ Liliane Bettencourt Prize (in 2002 with the Maîtrise de Notre-Dame de Paris and in 2010 with the Britten Choir).

Spirito


A professional chamber choir of variable geometry, the Spirito choir ranges in size from the chamber form to the large a cappella choir, which it favours with conviction.

The oratorio repertoire and symphonic music mean that it regularly performs with the Orchestre national de Lyon, as well as joining the two regional orchestras, the Orchestre des Pays de Savoie and the Orchestre national d'Auvergne.

The choir's mixed programmes have a distinctive tone, fluidly revealing the possible bridges between music of the past or traditional music, and contemporary creation.

In 2019, the Spirito choir has been commissioned by the French Ministry of Culture to support the Centre national d'art vocal de la région Auvergne-Rhône-Alpes.

Spirito has a three-year agreement with the Ministère de la Culture / Direction Régionale des Affaires Culturelles Auvergne-Rhône-Alpes, the Région Auvergne-Rhône-Alpes and the City of Lyon. This season is supported by the Maison de la Musique Contemporaine and the Centre National de la Musique. Spirito is a member of Fevis, Profedim and Auvergne-Rhône-Alpes Spectacle Vivant.

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