Il Sud: Seicento Violin Music in Southern Italy Exit & Emmanuel Resche-Caserta

• Andrea Falconieri (1585 - 1656):
• 1 Fantasia Echa para el muy reverendo Padre Falla 02:52
• Bartolomeo Montalbano (1598 - 1651):
• 2 Sinfonia Marescotti a due violini 02:07
• 3 Sinfonia Sghemma a violino solo 03:28
• 4 Sinfonia Bargellini a due violini 01:41
• Andrea Falconieri (1585 - 1656):
• 5 La Suave Melodia 03:01
• 6 La Preciosa 03:31
• 7 Su Gallarda 01:46
• Bartolomeo Montalbano:
• 8 Sinfonia Geloso a violino solo 03:13
• Giovanni Maria Trabaci (1575 - 1647):
• 9 Toccata seconda e ligature per arpa 02:42
• 10 Canzona francesa a 4 « per concerto di violini » 02:49
• Giovanni Antonio Pandolfi (1624 - 1670):
• 11 Il Falvetti, Capriccetto Quarto à 3 01:18
• 12 Il Mauritio. Capriccetto à Violino Solo 05:10
• Andrea Falconieri:
• 13 Canzona a 3 01:57
• Giovanni Antonio Leoni (1600 - 1652):
• 14 Sonata No. 30, terzo tono 04:34
• Giovanni Antonio Pandolfi: Passacaglio 'Il Marquetta' a due Violini:
• 15 Passacaglio 'Il Marquetta' a due Violini: Arietta Adagissimo - Brando 05:39
• Bernardo Storace (1637 - 1707):
• 16 Balletto, per clavicembalo 02:23
• Giovanni Antonio Leoni:
• 17 Sonata nona Secondo tono 04:46
• Bartolomeo Montalbano:
• 18 Sinfonia Fiumicello a due violini 02:42
• Giovanni Antonio Pandolfi:
• 19 Capriccetto Il Catalano 05:43
• Anonymous:
• 20 Ballo a tre 04:01
• Ascanio Mayone (1570 - 1627):
• 21 Toccata seconda 00:51
• Giovanni Antonio Pandolfi:
• 22 Il Raimondo, Capriccetto à Violino Solo 04:15
• Total Runtime 01:10:29

Info for Il Sud: Seicento Violin Music in Southern Italy

Musikalische Südfrüchte: Norditalien mit Cremona und Bologna wird allgemein als das Zentrum der italienischen Violinmusik des 17. Jahrhunderts angesehen, doch waren die Entwicklungen im Süden nicht weniger bedeutend. Der Barockgeiger Emmanuel Resche-Caserta und sein Ensemble Exit zeigen auf dieser Einspielung für PASSACAILLE anhand einiger Beispiele, welch interessante Geigenwerke in den südlichen Landesteilen komponiert und veröffentlicht wurden. Die Wahl der Stücke orientierte sich an zwei Prinzipien: der Expressivität und der Einzigartigkeit jeder einzelnen Komposition. Nicht zuletzt möchte Resche-Caserta die Produktion auch als Hommage an eine Region verstanden wissen, die ihm besonders am Herzen liegt.

Exit
Emmanuel Resche-Caserta, Violine

Emmanuel Resche-Caserta
is a franco-italian baroque violin player born in 1988.

Since 2017, he has been invited as concertmaster for the baroque orchestra Les Arts Florissants, conducted by William Christie, in residence at Philharmonie de Paris.

Credits include: Handel’s Jephtha at the Opéra de Paris (Palais Garnier), Haydn’s Creation– Lincoln Center, New York, Purcell’s Dido & Aeneas and Charpentier’s Actéon- USA and Colombia, Rameau’s La Naissance d’Osiris / Daphnis et Eglée– South Korea, Monteverdi’s Selva Morale- Europe tour (Berlin Philharmony, Paris Philharmony, The Barbican- London).

In 2019, he will continue to lead the orchestra in « Rameau Maître à danser » for the 40th anniversary of Les Arts Florissants at the Brooklyn Academy of Music- New York and for a European tour of Mozart’s Finta Giardiniera, to name a few. Emmanuel is the Artistic Director on Les Arts Florissants most recent recording of Airs de cour (« Airs Sérieux et à boire III ») for Harmonia Mundi.

After graduating in Political Sciences and History of Art, he decided to dedicate himself entirely to the baroque violin. Intrigued about learning from various schools of baroque violin playing, he studied with a range of teachers in Italy, France, Spain and the US, including Enrico Onofri- Conservatorio di Palermo, François Fernandez- Paris Conservatoire National Supérieur (CNSMDP), Monica Huggett – the Juilliard School, New York and Pablo Valetti- Escola Superior de Musica de Catalunya, Barcelona.

Emmanuel regularly leads various ensembles in France, Spain and Belgium including- Il Gardellino (Marcel Ponseele and Jan de Winne, artistic directors), Marguerite Louise (Gaétan Jarry), Hemiolia (Claire Lamquet), The New Baroque Times (Pablo Garcia and Diego Fernandez), A Nocte Temporis (Reinoud Van Mechelen), Tiento Nuovo (Ignacio Prego). He has been invited as artistic director at the Conservatoire Supérieur de Paris, at the Moscow Conservatory Baroque Orchestra in 2014 as well as teaching workshops about Haydn symphonies at the Academie de Saintes.

Emmanuel has recently created his own ensemble, Exit, with whom he has recorded his first CD for the Label Passacaille. This CD is dedicated to violin music from southern Italy in the 17th century, featuring some hidden treasures from Palermo, Messina, and Naples.

In June 2019, Emmanuel has been awarded a 1675 Ruggeri violin for a period of 10 years by the Jumpstart Foundation (Amsterdam).

This album contains no booklet.