Domenico Mazzocchi: Le Temple et le désir Ensemble Elyma & Gabriel Garrido

• 1Dialogo della cantica07:55
• 2Guerra immortal03:57
• 3Udito ho Citherea04:12
• 4Pian piano04:32
• 5S'io mi parto, o mio bel sole03:49
• 6Dialogo della Maddalena11:13
• 7La Madalena ricorre alle lagrime05:09
• 8Or che sepolto02:33
• 9No me mueve mi Dios02:42
• 10Non vedete Pastori04:49
• 11Misura altri il girar03:25
• 12Colombella03:22
• 13Lamento della Beata Vergine15:17
• Total Runtime01:12:55

Info for Domenico Mazzocchi: Le Temple et le désir

At the end of the sixteenth century, rome, the spiritual centre of western Christianity, found itself confronted, after the coming of the reformation and the Council of trent, with the musical upheavals that were to give birth to the Baroque. Two trends were to emerge. in sacred music, the hegemony of polyphony, as reformed in the circles around Palestrina, created a new genealogy with which the masters of the seventeenth century were to identify. In the domain of secular music, the influence of the new style born in Florence and brought to its apogee by Monteverdi generated new music following on from the revolutionary invention of accompanied monody and the representation of the passions. Though apparently opposed, these two trends increasingly tended to intertwine and converge, forming the identity of the music of the Counterreformation. The secular, the sacred and Antiquity intermingled and were crystallized in new forms of expression.

This historical turning point saw the appearance of the exceptional gure of Domenico Mazzocchi (1592-1665), the 350th anniversary of whose death fell in 2015.

Ensemble Elyma
Gabriel Garrido, conductor

No biography found.

Booklet for Domenico Mazzocchi: Le Temple et le désir