The Rhythm Method
Biographie The Rhythm Method
The Rhythm Method
Praised as “fierce, fearless, and virtuosic… unapologetically stylistically omnivorous and versatile” (New Music Box) and “trailblazing...skillful composer-performers” (The New Yorker), The Rhythm Method strives to reimagine the string quartet in a contemporary, feminist context. The four performer-composers of The Rhythm Method continually expand their sonic and expressive palette through the use of improvisation, vocalization, graphic notation, songwriting, and theater.
The Rhythm Method has given performances at Roulette, Joe’s Pub, The Stone, the Met Museum, the Morris Museum, and the Noguchi Museum, and has been featured at the Lucerne Festival Forward, on the String Orchestra of Brooklyn’s String Theories Festival, MATA Festival, Music Mondays, TriBeCa New Music, and the Austrian Cultural Forum’s Moving Sounds Festival. The quartet tours regularly both in the US and abroad, and has performed internationally in France, Austria, and Switzerland. The Rhythm Method seeks to nurture ongoing relationships with universities and schools, cultivating multifaceted creativity and musicianship in students of all ages. They have been in residence at Tulane University, Arkansas State University, Zurich University for Art and Music, Hunter College, Bowling Green State University’s College of Musical Arts, and New York University, and they serve as the quartet-in-residence for Lake George Music Festival’s Composers Institute.
This season’s highlights include premieres of new works by inti figgis-vizueta and Victoria Cheah, the release of an album featuring Lewis Nielson’s “Pastorale.......para los pobres de la tierra” for vocalizing string quartet with guest vocalist/flutist Alice Teyssier, performing on the Ukrainian Contemporary Music Festival, collaborating with the Mosaic Composers' Collective, and appearing as ensemble in residence at the Iceberg Institute and Lake George Music Festival's Composers Institute.
The Rhythm Method’s ongoing activities include the Hidden Mothers Project, a programming initiative that highlights works by historical women composers, and Broad Statements, an annual mini-festival celebrating creative music-making by women, non-binary, and gender-expansive people in a wide array of artistic styles.
In March 2022, the quartet released their self-titled debut album, featuring music by all of the quartet members, on Gold Bolus Recordings. Other releases include the 2021 “A Few Concerns,” an album of cellist-singer-songwriter Meaghan Burke’s music, on Gold Bolus Recordings, and the group’s signature Wandelweiser Christmas arrangements, volumes I and II. The Rhythm Method’s recording of “Silence Seeking Solace” (with soprano Alice Teyssier) was featured on Dai Fujikura’s “Chance Monsoon” (SONY Japan).
Alice Teyssier
Flutist and vocalist Alice Teyssier brings “something new, something fresh, but also something uncommonly beautiful” to her performances. A uniquely gifted advocate for new music, Alice has given residencies for composers and performers of new music at such universities as Harvard, Brown, Stanford, Huddersfield, Oberlin and U. Michigan. She has premiered hundreds of works and appeared at the Ojai, Mostly Mozart, June in Buffalo, Big Ears, Resonant Bodies and Huddersfield Contemporary Music festivals. Equally devoted to historically-informed yet inventive performances of early music, she is co-founder of the chamber ensemble La Perla Bizzarra. Alice serves as Clinical Assistant Professor of Performance in the Music Department at NYU.
