Mozart à Paris 1778 Arnaud De Pasquale

• Wolfgang Amadeus Mozart (1756 - 1791): Piano Sonata No. 8 in A Minor, K. 310/300d:
• 1Mozart: Piano Sonata No. 8 in A Minor, K. 310/300d: I. Allegro maestoso10:17
• 2Mozart: Piano Sonata No. 8 in A Minor, K. 310/300d: II. Andante cantabile con espressione06:03
• 3Mozart: Piano Sonata No. 8 in A Minor, K. 310/300d: III. Presto03:23
• Antoine Albanese (1728 - 1803): La Soirée du Palais-royal, Op. 9:
• 4Albanese: La Soirée du Palais-royal, Op. 9: No. 10, Dans les erreurs d’un songe05:21
• Wolfgang Amadeus Mozart: Violin Sonata in E Minor, K. 304/300c:
• 5Mozart: Violin Sonata in E Minor, K. 304/300c: I. Allegro08:47
• 6Mozart: Violin Sonata in E Minor, K. 304/300c: II. Tempo di Menuetto05:15
• Antoine Albanese: Romance de Rosemonde:
• 7Albanese: Romance de Rosemonde04:47
• Wolfgang Amadeus Mozart: 9 Variations on "Lison dormait", K. 264/315d:
• 8Mozart: 9 Variations on "Lison dormait", K. 264/315d18:00
• 6 Variations on "Au bord d'une fontaine", K. 360/374b:
• 9Mozart: 6 Variations on "Au bord d'une fontaine", K. 360/374b17:56
• Total Runtime01:19:49

Info zu Mozart à Paris 1778

Mozart war 22 Jahre alt, als er 1778 in Begleitung seiner Mutter nach Paris reiste. Obwohl er nicht den erhofften Erfolg erzielte, war sein Besuch in Paris ein wichtiger Wendepunkt in seinem persönlichen Leben und seiner künstlerischen Entwicklung. Geprägt von der Desillusionierung, die ihn dazu brachte, das Pariser Publikum zu verachten, und vom tragischen Verlust seiner Mutter, sind seine Klaviersonaten von einem intensiven Ernst geprägt, der die innere Zerrissenheit des jungen Mozarts widerspiegelt. Zur gleichen Zeit bezauberte der Kastrat Antoine Albanese die Hauptstadt mit seinen Romanzen, die beim Publikum sehr beliebt waren und aus denen Mozart einen Teil seiner Inspiration bezog. Der Pianist Arnaud De Pasquale entführt uns mit diesem Programm in das Paris der 1770er Jahre.

Perrine Devillers, Sopran
Arnaud de Pasquale, Klavier
Jerome van Waerbeke, Violine

Arnaud De Pasquale
grew up in a Baroque musical environment and began studying the harpsichord at the age of five with Dominique Ferran at the Poitiers Conservatoire. He then entered the Paris Conservatoire National Supérieur de Musique et de Danse in the classes of Olivier Baumont and Blandine Rannou. He completed his training under the guidance of Pierre Hantaï, Blandine Verlet, Élisabeth Joyé, Skip Sempé, Laurent Stewart and Huguette Grémy-Chauliac. After the launching of his career, he played in several ensembles such as Pygmalion, conducted by Raphaël Pichon, the Ensemble Correspondances, under Sébastien Daucé, and Philippe Herreweghe’s Collegium Vocale. As a soloist on the harpsichord as well as the organ, fortepiano and clavichord, he is regularly invited to give recitals in France, Europe and Mexico (Château d’Assas, Théâtre de Caen, Festival de Radio France in Montpellier, London Festival of Baroque Music, etc.). In addition to his recording activity with ensembles, he has recorded several albums for Alpha, including two with the violist Lucile Boulanger, all of which have received critical acclaim – Diapason Découverte, Choc de Classica, IRR-Outstanding, ffff by Télérama. He also received a Diapason Découverte in 2013 for the first album recorded by La Sainte Folie Fantastique (My Precious Manuscript), an ensemble of which he is a founding member. He has recently recorded harpsichord music from the time of Louis XIII for the label Château de Versailles Spectacles.

His keen interest in the diversity of historical organs has led him to undertake a world tour of organs: a long-term venture in partnership with the Éditions des Abbesses for the label harmonia mundi, and whose first album, devoted to Sicily, opens the first pages of a travel notebook full of promise.

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