Mélodies passagères Marianne Lambert & Julien LeBlanc

• Émile Paladilhe (1844 - 1926):
• 1 Psyché 03:34
• Samuel Barber (1910 - 1981): Mélodies passagères, Op. 27:
• 2 Mélodies passagères, Op. 27: No. 1, Puisque tout passe 01:31
• 3 Mélodies passagères, Op. 27: No. 2, Un cygne 02:29
• 4 Mélodies passagères, Op. 27: No. 3, Tombeau dans un parc 02:00
• 5 Mélodies passagères, Op. 27: No. 4, Le clocher chante 01:22
• 6 Mélodies passagères, Op. 27: No. 5, Départ 01:38
• Maurice Delage ( 1879 - 1961): 4 Poèmes hindous (Version for Voice & Piano):
• 7 4 Poèmes hindous (Version for Voice & Piano): No. 1, Madras 02:32
• 8 4 Poèmes hindous (Version for Voice & Piano): No. 2, Lahore 04:26
• 9 4 Poèmes hindous (Version for Voice & Piano): No. 3, Bénarès 01:51
• 10 4 Poèmes hindous (Version for Voice & Piano): No. 4, Jeypur 01:56
• Georges Bizet (1838 - 1875):
• 11 Adieux de l'hôtesse arabe 04:51
• Enrique Granados (1867 - 1916): Canciones amatorias:
• 12 Canciones amatorias: No. 1, Descùbrase el pensamiento 03:26
• 13 Canciones amatorias: No. 2, Mañanica era 02:54
• 14 Canciones amatorias: No. 3, Llorad corazón 02:07
• 15 Canciones amatorias: No. 4, Mira que soy niña 02:55
• 16 Canciones amatorias: No. 5, No lloréis ojuelos 01:36
• 17 Canciones amatorias: No. 6, Iban al pinar 01:45
• 18 Canciones amatorias: No. 7, Gracia mía 03:22
• Léo Delibes (1836 - 1891):
• 19 Les filles de Cadix 05:11
• Jules Massenet (1842 - 1912):
• 20 Nuit d'Espagne 03:58
• Calixa Lavallée (1842 - 1891):
• 21 Andalouse, Op. 38 05:10
• Total Runtime 01:00:34

Info zu Mélodies passagères

Through the melodies of Barber, Bizet, Delage, Delibes, Granados, Lavallee and Paladihle, this selection evokes escaping, journeying, dreaming and sensuality.

The pieces chosen are inspired by the exotic, and summon up memories that are often sweet, sometimes bitter, along with the twists and turns that life imposes on us and the contemplation of nature.

These enchanting and imaginative melodies that reflect the singular genius of each composer call upon the virtuosity of both the singer and that of pianist Julien LeBlanc, who accompanies Marianne in this exploration of the repertoire.

Let yourself be transported and enjoy the journey!

“Since everything passes, let us forge a passing melody” (Rainer Maria Rilke)

Marianne Lambert, soprano
Julien LeBlanc, piano

Marianne Lambert
Young soprano coloratura, Marianne Lambert is the recipient of the Opus Award for Concert of the Year - Regions (2018), the An die Musik Recital Award at the 25th Clermont-Ferrand International Singing Competition (2017, France), as well as the Grand Prix for the 20th Concours international de chant de Marmande (2008, France). A diamond voice with shimmering colours, Marianne Lambert displays a stunning stage presence. The intelligence behind her acting is equaled only by her impressive vocal control.

“Motifs of celebration are numerous on set, starting with the Fairy Godmother by Marianne Lambert, a lovely light soprano whose sweet timbre and supernatural vocalizing float into the stratosphere with the ease of a tightrope walker.” — Emmanual Dupuy, Diapason

She has shone in the roles of the Fairy Godmother in Massenet’s Cendrillon (Opéra de Nantes, Opéra d’Angers and Opéra de Montréal), Gilda in Verdi’s Rigoletto (Opéra de Rennes), Stella in Offenbach’s La Fille du tambour-major (Société d’art Lyrique du Royaume), Adèle in Strauss’s die Fledermaus (Opéra de Montréal and Opéra de Québec), Woglinde in Wagner’s das Rheingold (Orchestre symphonique de Montréal with Maestro Kent Nagano), Clorinda in Rossini’s La Cenerentola (Pasic Opera Victoria), Mlle Silberklang in Mozart’s der Schauspieldirektor (Opéra de Rennes), and Marie-Anne in Hahn’s Ô mon bel inconnu (Opéra de Rennes and Opéra de Metz).

Former member of the Atelier lyrique de l’Opéra de Montréal, Marianne was a guest soloist of these prestigious orchestras: Orchestre symphonique de Montréal, Orchestre symphonique de Trois-Rivières, Orchestre symphonique de Québec, Orchestre Métropolitain, McGill Chamber Orchestra, Nouvel Ensemble Moderne, and Orchestre symphonique de la Grande-Bretagne.

Future projects include touring with L’amant jaloux, joined by Valérie Milot (harp) and Mathieu Lussier (bassoon), singing the role of Ophélie in Thomas’s Hamlet at Angers Nantes Opéra and Opéra de Rennes, as well as touring with Quatuor Liger string quartet singing arias by Haydn and Mozart.

Julien LeBlanc
dazzles with virtuosity and appealing enthusiasm. He is recognized for his great musical sensitivity and his ability to communicate the essence of the music. Based in Montreal, he is active on the Canadian musical scene equally as soloist, chamber music pianist and accompanist.

Recently, he was critically acclaimed for his musical direction of Debussy’s Pelléas et Mélisande, presented by the “Against the Grain Theatre” in Toronto, and for his masterly interpretation of the work at the piano.

“Guest music director Julien LeBlanc contributes fine piano accompaniment, playing with splendid feeling and authenticity, translucent, almost weightless in placid moments, orchestrally evocative in stormy, unbridled scenes. Pelléas et Mélisande’s five distinct mini-symphonic interludes are grippingly rendered. LeBlanc, a specialist in French repertoire is an artist of sweeping dimensions. Debussy, a pianist of no small accomplishment himself, would unquestionably agree.” (Opera Going Toronto)

In 2002, Julien LeBlanc was awarded the Emerging Artist of the Yearprize by the Arts Foundation of New Brunswick. Following his debut at the National Arts Centre (Ottawa) in 2003, he undertook a series of concerts including touring Canada with violinist Marc Djokic for Debut Atlantic and Jeunesses Musicales.

His concerts are broadcasted regularly on Espace Musique and CBC. He has received numerous grants from the Canada Council and the Province of New Brunswick.

In recent years, Julien appeared at numerous festivals, in particular at the Académie Musicale de Villecroze (France) as well as in the series Été Musical de l’Église historique de Barachois (NB) where, since 2012, he acts as co-Artistic Director. Other New Brunswick festivals include the Festival de Musique de Chambre de la Baie-des-Chaleurs, the Festival Acadien de Caraquetand the NB Summer Music Festival in Fredericton. Music lovers also had the pleasure to hear him at the Festival de musique de chambre de Lachine (QC), at Festivoix (Trois-Rivières), the Indian River Festival (PEI), Three Churches Festival at Mahone Bay (NS), as well as the Elora Festival (Ontario) and Music and Beyond (Ottawa).

Julien is a founding member of the Trio Arkaède with violinist, Isabelle Fournier and flutist Karin Aurell, dating from 2006. The broadcast of their first concert on CBC was so well received that it was released as a CD in 2008. In June of 2014, the Trio released a second CD, entitled “Tour de France”, dedicated to works by lesser-known French composers. Critics have responded to this Trio’s playing by “full of beauty and serenity, evoking perfectly and with style the ambiance of a concert performed in a French salon”. (Scena Musicale)

Julien is particularly involved with the human voice, and collaborates with several Canadian singers such as soprano, Nathalie Paulin, with whom he has given several recitals of French songs and lieder, and with baritone, Peter McGillivray. He has appeared frequently with McGillivray in a whimsical program of opera arias and melodies entitled “Rogues, Rascals and Rapscallions”. In the autumn of 2014, Julien was touring the Maritime Provinces with soprano Miriam Khalil and mezzo soprano Lauren Segal, under the auspices of Debut Atlantic.

Julien has given master classes at several universities including Prince Edward Island, UNB in Fredericton, Dalhousie in Halifax, Memorial in St. John’s and the University of Saskatchewan in Saskatoon. He has adjudicated at music festivals in Sackville (NB), the NB Competitive Festival in Saint John (NB), the Halifax Kiwanis Festival, the Greater Moncton Music Festival and at the provincial final competitions in both New Brunswick and Newfoundland. From 2005 to 2009 he was Artist in Residence at UNB in Fredericton; has taught at the Université de Moncton and was vocal coach at the Glenn Gould School in Toronto and the Université of Montréal. Currently, he is accompanist and vocal coach at McGill University.

Among his prizes in music competitions Julien counts First Prize in 2000 at the Concours musical du Cercle des Cent-associés in Montreal, Second Prize in the National Music Festival in Halifax and First Prize in the Ludmilla Knezkova-Hussey International Piano Competition in two successive years, 1994 and 1995.

Julien studied at the Royal Academy of Music in London, the Glenn Gould School in Toronto and the Université de Montréal. His principal teachers were Marc Durand, André Laplante, Malcolm Martineau and Paul Stewart. He has participated in several master classes in Europe, Canada and the United States, and was fortunate to have been able to work with Dalton Baldwin, Leon Fleisher, Susan Manoff, John Perry, Craig Rutenberg and Roger Vignoles.

Julien’s special interest is the French repertoire, particularly the music of Francis Poulenc. He is equally greatly appreciated for his interpretations of the romantic and modern repertoires.

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