
Stjernebru Det Norske Jentekor & Anne Karin Sundal-Ask
Album Info
Album Veröffentlichung:
2025
HRA-Veröffentlichung:
04.04.2025
Label: 2L
Genre: Folk
Subgenre: Vocal
Interpret: Det Norske Jentekor & Anne Karin Sundal-Ask
Komponist: Ørjan Matre (1979)
Das Album enthält Albumcover Booklet (PDF)
Coming soon!
Danke, dass Sie sich für dieses Album interessieren. Sie können das Album noch nicht kaufen. Dafür schon mal reinhören!
Tipp: Nutzen Sie unsere Merkliste-Funktion.
- 1 Stjernebru - intro 03:28
- 2 Jeg vet en hvile 04:46
- 3 Duett 03:16
- 4 To polsdanser fra Beitstad 03:54
- 5 Ned i vester soli glader 04:13
- 6 Mellomspill 1 02:10
- 7 Liti Kjersti 08:43
- 8 Ingerid Sletten 03:26
- 9 Nu solen går ned 05:27
- 10 Sull til mor 02:48
- 11 Johannes og Ingrid 06:18
- 12 Mellomspill 2 03:37
- 13 Syng i stille morgonstunder / Lux Aeterna 06:13
- 14 Menuett 03:46
Info zu Stjernebru
Volkslieder sind seit jeher ein wichtiger Bestandteil des Repertoires des norwegischen Mädchenchors; sie sind ein wesentlicher Aspekt der Identität des Chors und seiner aktiven Umsetzung der kulturellen Tradition. In STJERNEBRU hat Ørjan Matre eine Auswahl norwegischer Volkslieder als Ausgangspunkt genommen, die mit Improvisationen und Arrangements als Intermezzos kombiniert werden. Das Wort Stjernebru (Sternenbrücke) stammt aus der Hymne Nedi vester soli glader (Die Sonne geht im Westen unter) und spielt auf die Reise ins Jenseits an: den Übergang oder die Brücke vom Irdischen zum Ewigen. Das Wort kann sich auch auf den Nachthimmel selbst beziehen, und Lux Aeterna - ewiges Licht - ist ein Thema, das sich durch das gesamte Album zieht.
Det Norske Jentekor
Anne Karin Sundal-Ask, Dirigentin
Gjermund Larsen, Geige
Frode Haltli, Akkordeon
Det Norske Jentekor
The Norwegian Girls Choir is a choir with proud traditions as an independent continuation of the Norwegian Broadcasting Corporation’s girl choir, which was established in 1947. In addition to singing the core repertoire for equal voices, the choir has always specialized in contemporary music and folk music. Several of Norway’s foremost composers have created music for it, and few other choirs get to premier so many pieces. The choir also shows its strong social and global engagement through its repertoire and choice of locations, and it is also initiating many genre-eliminating musical encounters. It has released 5 albums and its recording Folketoner from 2018 was Grammy-nominated for Best Immersive Album.
The Norwegian Girls Choir has always been, and still is, an important institution in Norwegian cultural life, and has fostered a large number of professional singers and artists, many of them well known. The choir’s main ambition is to act as a choir school enabling girls to develop independent musicianship and to reach a level of musical expression that touches themselves as much as their audiences. This gives them, as musicians, understanding, experience and curiosity – qualities which serve them well in their professional lives as singers, and in other capacities contributing to cultural life.
Anne Karin Sundal-Ask
has been conductor and artistic leader of the Norwegian Girls Choir since the spring of 2005. She studied conducting, flute and music pedagogy at the Music Conservatory in Trondheim and at the Norwegian Academy of Music. Sundal-Ask has received many honours for her direction of choirs, and she has led many choirs to notable results in international competitions. She received the “Performer of the Year” award for 2019 from the Norwegian Society of Composers. As artistic director of the Norwegian Girls Choir she has commissioned new music, and collaborated closely with many Norwegian composers. She is willing to let young people in their most formative years participate in the creative process of performing new works and thus contribute directly to the quality of their music-making. This approach also helps young people develop a broad musicianship. She is described as an inspiring leader who, while always striving after quality, also conveys her musical goals to the singers so that each and every one of them can perform optimally. Her focus on intonation, timbre and ensemble work is one of her hallmarks, and she works continuously to develop the choir’s musical expression.
Booklet für Stjernebru