Prokofiev: Piano Concertos Nos. 2-3 & Piano Sonata No. 7 Stewart Goodyear, BBC Symphony Orchestra & Andrew Litton

• Sergei Prokofiev (1891 - 1953): Piano Concerto No. 2 in G Minor, Op. 16:
• 1 Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: I. Andantino 10:55
• 2 Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace 02:33
• 3 Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo. Allegro moderato 06:05
• 4 Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: IV. Finale. Allegro tempestoso 10:53
• Piano Concerto No. 3 in C Major, Op. 26:
• 5 Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: I. Andante. Allegro 08:58
• 6 Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: II. Tema con variazioni 08:49
• 7 Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: III. Allegro, ma non troppo 09:22
• Piano Sonata No. 7 in B-Flat Major, Op. 83:
• 8 Prokofiev: Piano Sonata No. 7 in B-Flat Major, Op. 83: I. Allegro inquieto 07:52
• 9 Prokofiev: Piano Sonata No. 7 in B-Flat Major, Op. 83: II. Andante caloroso 06:03
• 10 Prokofiev: Piano Sonata No. 7 in B-Flat Major, Op. 83: III. Precipitato 03:32
• Total Runtime 01:15:02

Info for Prokofiev: Piano Concertos Nos. 2-3 & Piano Sonata No. 7

Der kanadische Pianist Stewart Goodyear steht kurz vor seinem Debüt bei den BBC Proms und präsentiert sein neues Album mit Werken von Sergej Prokofjew zusammen mit dem BBC Symphony Orchestra unter Andrew Litton. Stewart Goodyear, der von der Los Angeles Times als „Phänomen“ und vom Philadelphia Inquirer als „einer der besten Pianisten seiner Generation“ bezeichnet wurde, hat sich sowohl als Konzertpianist als auch als Komponist einen beachtlichen internationalen Ruf erworben und verfügt über ein beeindruckendes Repertoire an Aufnahmen. Nach seinen Veröffentlichungen von Beethoven, Ravel, Gershwin und seiner eigenen Suite für Klavier und Orchester „Callaloo“ sowie seiner Klaviersonate enthält Goodyears neue Aufnahme einige der größten Werke des Repertoires: die Klavierkonzerte op. 16 und op. 26 sowie die Klaviersonate Nr. 7 in B-Dur. Dieses ehrgeizige Unterfangen, das seine Wurzeln in den Kämpfen der Pandemie 2020 hat, ist für Goodyear eine ganz persönliche Angelegenheit, da er einen der wichtigsten Komponisten aus seinen ersten Tagen als Pianist wieder aufgreift und die jugendliche Dynamik und Lebendigkeit, die Prokofjews Musik auszeichnet, wiedergibt. Mit Goodyears kluger und erfahrener Sichtweise auf diese drei Werke erhält das Album eine weitere Dimension: die des unerschütterlichen Durchhaltevermögens angesichts persönlicher Herausforderungen.

Stewart Goodyear, Klavier
BBC-Sinfonieorchester
Andrew Litton, Dirigent

Stewart Goodyear
Proclaimed "a phenomenon" by the Los Angeles Times and "one of the best pianists of his generation" by the Philadelphia Inquirer, Stewart Goodyear is an accomplished concert pianist, improviser and composer. Mr. Goodyear has performed with, and has been commissioned by, many of the major orchestras and chamber music organizations around the world.

Last year, Orchid Classics released Mr. Goodyear's recording of his suite for piano and orchestra, "Callaloo" and his piano sonata. His recent commissions include an orchestral work for the Chineke! Orchestra, his Piano Quintet for the Penderecki String Quartet, and a piano work for the Honens Piano Competition. His suite for solo violin, "Solo" was recorded by violinist Miranda Cuckson on the Urlicht Audiovisual label, and his work for cello and piano, "The Kapak" was recording by cellist Inbal Segev on the Avie Records label.

Mr. Goodyear's discography includes the complete sonatas and piano concertos of Beethoven, as well as concertos by Tchaikovsky, Grieg and Rachmaninov, an album of Ravel piano works, and an album, entitled "For Glenn Gould", which combines repertoire from Mr. Gould's US and Montreal debuts. His Rachmaninov recording received a Juno nomination for Best Classical Album for Soloist and Large Ensemble Accompaniment. Mr. Goodyear's recording of his own transcription of Tchaikovsky's "The Nutcracker (Complete Ballet)", was chosen by the New York Times as one of the best classical music recordings of 2015. His discography is released on the Orchid Classics, Naxos, Analekta, Bright Shiny Things, Marquis Classics, and Steinway and Sons labels. Mr. Goodyear releases his recording of Prokofiev’s 2nd and 3rd Concertos with Andrew Litton and the BBC Symphony Orchestra, and the composer’s 7th Sonata, on Orchid Classics this September 2024.

Highlights for the 2024-25 season are his performances at the BBC Proms with the Chineke! Orchestra, his return to the Phillips Collection (Washington D.C.), and performances with the Vancouver and Toronto Symphonies, the Indianapolis Symphony, the Rochester Philharmonic, Frankfurt Museumgesellschaft, and A Far Cry in Boston.

Andrew Litton
is Music Director of the New York City Ballet. He is also Principal Guest Conductor of the Singapore Symphony Orchestra, Conductor Laureate of the Bournemouth Symphony Orchestra and Music Director Laureate of Norway’s Bergen Philharmonic. Under his leadership the Bergen Philharmonic gained international recognition through extensive recording and touring, making debuts at the BBC Proms, at Amsterdam’s Concertgebouw, and appearances at Vienna’s Musikverein, Berlin’s Philharmonie, and New York’s Carnegie Hall. For his work with the Bergen Philharmonic, Norway’s King Harald V knighted him with the Norwegian Royal Order of Merit.

Andrew was Principal Conductor of the Bournemouth Symphony Orchestra from 1988-1994. During this time, he led the orchestra on their first American tour and produced 14 recordings, including the Grammy-winning Belshazzar’s Feast. As Music Director of the Dallas Symphony Orchestra from 1994-2006, he hired over one third of the players, led the orchestra on three major European tours, appeared four times at Carnegie Hall, created a children’s television series broadcast nationally and in widespread use in school curricula, produced 28 recordings, and helped raise the orchestra’s endowment from $19 million to $100 million. He regularly guest conducts leading orchestras and opera companies around the globe and adds to his discography of over 130 recordings, which have garnered America’s Grammy Award, France’s Diapason d’Or and other honours.

In addition to conducting over 30 ballets at the New York City Ballet, Andrew returns regularly to the Singapore Symphony Orchestra, Bournemouth Symphony Orchestra and the Bergen Philharmonic Orchestra, and guest conducts with a wide range of international orchestras, recently including the BBC Symphony Orchestra, the Ulster Orchestra, the City of Birmingham Symphony Orchestra, the Deutsches Symphonie-Orchester Berlin, the Colorado Symphony, the Orquesta Sinfonica de Galicia, and the Royal Swedish Orchestra.

An avid opera conductor with a keen theatrical sense, Andrew has led major opera companies throughout the world, including the Metropolitan Opera, Royal Opera Covent Garden, Australian Opera and Deutsche Oper Berlin. In Norway, he was key to founding the Bergen National Opera, where he led numerous critically acclaimed performances. He often conducts semi-staged opera programmes with symphony orchestras. During his 14-year tenure as Artistic Director of the Minnesota Orchestra Sommerfest, he concluded the Festival with sold-out performances of Salomé, Der Rosenkavalier, Madama Butterfly, La Bohème, Tosca, Rigoletto, La Traviata and others.

Andrew’s work with New York City Ballet has earned praise from critics, dancers, and audiences, bringing new prominence to the Ballet’s orchestra. He began his ballet work while still a Juilliard student, performing as on-stage pianist for Rudolf Nureyev, Natalia Makarova, and Cynthia Gregory.

An accomplished pianist, Andrew often performs as piano soloist, conducting from the keyboard, most recently Beethoven’s Triple Concerto in Singapore. An acknowledged expert on George Gershwin, he has performed and recorded Gershwin widely as both pianist and conductor, and serves as Advisor to the University of Michigan Gershwin Archives. After leading the Covent Garden debut of Porgy and Bess, Andrew arranged his own concert suite of the work, which is now performed around the world. In 2014 he released his first solo piano album, A Tribute to Oscar Peterson, a testimony to his passion for jazz, particularly the music of that great pianist.

Andrew’s Dallas Symphony Rachmaninov Piano Concerto recordings with Stephen Hough, widely hailed as the best since the composer’s own, won the Classical Brits/BBC Critics Award. He also received a Grammy nomination for his recording of Sondheim’s Sweeney Todd with the New York Philharmonic and Patti Lupone.

Born in New York City, Andrew graduated from the Fieldston School and earned both Bachelor’s and Master’s degrees from The Juilliard School in Piano and Conducting. He served as assistant conductor at La Scala and at the National Symphony under Rostropovich. His many honours in addition to Norway’s Order of Merit include Yale’s Sanford Medal, the Elgar Society Medal, and an Honorary Doctorate from the University of Bournemouth.

Booklet for Prokofiev: Piano Concertos Nos. 2-3 & Piano Sonata No. 7