La présence lontaine Ksenia Kouzmenko

• Frederic Mompou (1893 - 1987): Canço i dansa no. 3:
• 1 Mompou: Canço i dansa no. 3: Modéré 01:07
• 2 Mompou: Canço i dansa no. 3: Sardana - temps de marche 02:38
• Canço i dansa no. 6:
• 3 Mompou: Canço i dansa no. 6: Cantabile espressivo 01:31
• 4 Mompou: Canço i dansa no. 6: Ritmado 01:51
• Claude Debussy (1862 - 1918): Lindaraja:
• 5 Debussy: Lindaraja 05:36
• La soirée dans Grenade:
• 6 Debussy: La soirée dans Grenade 05:22
• Déodat de Séverac (1872 - 1921): Les muletiers devant le Christ de Llivia:
• 7 Séverac: Les muletiers devant le Christ de Llivia 07:59
• Isaak Albéniz (1860 - 1909): Iberia:
• 8 Albéniz: Iberia: Evocación 05:12
• 9 Albéniz: Iberia: El Puerto 04:14
• 10 Albéniz: Iberia: El Corpus en Sevilla 09:03
• Carlos Gustavino (1912 - 2000): Bailecito:
• 11 Gustavino: Bailecito 03:26
• El chico que vino del sur:
• 12 Gustavino: El chico que vino del sur 02:54
• Alberto Ginastera (1916 - 1983): Danza del viejo boyero:
• 13 Ginastera: Danza del viejo boyero 01:21
• Danza de la moza donoza:
• 14 Ginastera: Danza de la moza donoza 03:40
• Ignácio Cervantes (1847 - 1905): Soledad:
• 15 Cervantes: Soledad 01:52
• Adios a Cuba:
• 16 Cervantes: Adios a Cuba 02:31
• Siempre si:
• 17 Cervantes: Siempre si 01:55
• El velorio:
• 18 Cervantes: El velorio 01:48
• No me toques:
• 19 Cervantes: No me toques 01:55
• Ilusiones perdidas:
• 20 Cervantes: Ilusiones perdidas 02:31
• No bailes mas:
• 21 Cervantes: No bailes mas 01:39
• Ernesto Lecuona (1895 - 1963): La comparsa:
• 22 Lecuona: La comparsa 01:52
• Total Runtime 01:11:57

Info for La présence lontaine

Die Pianistin Ksenia Kouzmenko veröffentlicht ihr neues Album "La présence lointaine" mit einem farbenfrohen, temperamentvollen Programm, aufgenommen im Londoner Konzertsaal Érard von Zeeland in Middelburg. Dies ist die Fortsetzung von ihrem Album "Ranges of Érard", ein labyrinthisches Programm, bei dem man nach jedem Stück einen anderen Seitenweg einschlagen konnte. So ist "La puerta del vino" von Debussy das Tor zu dieser neuen, spanisch gefärbten Geschichte geworden. Neben fesselnden, stimmungsvollen Stücken von Debussy, Albéniz, Séverac und Mompou gibt es extravagante Musik mit einem Hauch von Nostalgie aus Argentinien und Kuba, von Guastavino, Ginastera, Cervantes und Lecuona.

Ksenia Kouzmenko, Klavier

Ksenia Kouzmenko
is renowned internationally for her sensitive and technically accomplished piano playing, and much appreciated as a partner in chamber music.

Ksenia was born in Minsk, Belarus in a family of pianists. She studied with Vladimir Zaretsky and Grigory Scherschewsky, the former teacher of her father, at the National Music College in Minsk. At the age of twelve Ksenia made her debut as a soloist with orchestra. In the next years she performed piano concertos of Beethoven and Rachmaninov. She graduated cum laude, with Gold Medal. Ksenia continued her piano studies at the National Music Academy with Igor Olovnikov, where she received her Master degree, also cum laude, as a soloist, a teacher and in vocal accompaniment and chamber music. She made postgraduate studies with Naum Grubert at the Royal Conservatory in The Hague, with financial support of the Yuri Egorov Foundation.

She took part in many masterclasses, with outstanding musicians such as Abbey Simon, György Sándor, Vazha Chachava, Lazar Berman, György Kurtág, Earl Wild, Charles Rosen, Karl-Heinz Kammerling, Ivan Moravec and courses in Bach-interpretation with Walter Blankenheim. In the summer of 1997 she followed an intense chamber music program in Tanglewood in the USA.

Ksenia received prizes for accompaniment at numerous international competitions. As a soloist, she won the 2nd prize at the Tromp Competition in Eindhoven, where she received the Audience Prize as well, and the 3rd prize at the Rencontres Musicales de Gaillard, France.

She played with the National Symphony Orchestra of Belarus, the Brabants Orkest, the Collegium Instrumentale Brugense, and the Nederlands Blazersensemble. She was a soloist in the Kurtág-project of the Royal Conservatory, conducted by Reinbert de Leeuw. And, on recommendation of György Kurtág himself, she played his “...quasi una fantasia...” with the Orchestra della Svizzerra Italiana, conducted by Olivier Cuendet, at the Lugano Festival. She recorded concerts for the National Broadcast Corporation of Belarus, Radiotelevisione Svizzerra, Dutch television and Dutch and Belgian national radio channels (Radio 4 and Brava).

Ksenia has been performing in Germany (Beethoven Festival in Bonn), England, Greece, Switzerland, Belgium (Festival van Vlaanderen), Italy, Slovenia (Tartini Festival), Spain (Festival “Semana de Musica Caja Astur”), Russia (Hermitage, St Petersburg), and all over the Netherlands.

Ksenia played chamber music in every kind of combination. In almost 30 years she built up an enormously rich repertoire ranging from Bach till Kurtág. She is constantly searching for new compositions and is fond of making unusual, inspiring programs. Among her long-time partners are wonderful musicians, such as the violinist Lisa Jacobs, cellist Lucie Stepanova, clarinettist André Kerver and many others. Recently, Ksenia discovered the joy of playing on an Erard grand piano, with its inspiring sound possibilities. Since 1999 Ksenia teaches at the Royal Conservatory of The Hague.

In 2013 violinist Lisa Jacobs and Ksenia Kouzmenko released a CD on Challenge Records, featuring compositions of Franck and Ysaÿe. The CD “Whispering Leaves” with the cellist Lucie Štĕpánová was released in 2018 on Cobra Records, with works of Janáček, Páleníček and Martinů. Both recordings were highly praised by the international music press.

Ksenia Kouzmenko is a convincing performer, whose elegant gestures are always subordinated to the music. She sweeps the listener along on her musical explorations (Tromp Competition).

Booklet for La présence lontaine