Mozart Two Pianos Fiammetta Tarli, Ivo Varbanov, English Chamber Orchestra & Muhai Tang

• Wolfgang Amadeus Mozart (1756 - 1791): Concerto for Two Pianos and Orchestra No.10 in E flat major, K.365/316a:
• 1 Mozart: Concerto for Two Pianos and Orchestra No.10 in E flat major, K.365/316a: Allegro 09:43
• 2 Mozart: Concerto for Two Pianos and Orchestra No.10 in E flat major, K.365/316a: Andante 07:03
• 3 Mozart: Concerto for Two Pianos and Orchestra No.10 in E flat major, K.365/316a: Rondeau. Allegro 07:08
• Concerto for Two Pianos and Orchestra No.7 in F major, K.242:
• 4 Mozart: Concerto for Two Pianos and Orchestra No.7 in F major, K.242: Allegro 08:22
• 5 Mozart: Concerto for Two Pianos and Orchestra No.7 in F major, K.242: Adagio 07:54
• 6 Mozart: Concerto for Two Pianos and Orchestra No.7 in F major, K.242: Rondeau. Tempo di Minuetto 05:48
• Sonata for Two Pianos in D major, K.448/375a:
• 7 Mozart: Sonata for Two Pianos in D major, K.448/375a: Allegro con spirito 08:18
• 8 Mozart: Sonata for Two Pianos in D major, K.448/375a: Andante 08:47
• 9 Mozart: Sonata for Two Pianos in D major, K.448/375a: Molto Allegro 06:22
• Total Runtime 01:09:25

Info for Mozart Two Pianos

Musik für zwei Klaviere von Mozart mit den Pianisten Ivo Varbanov und Fiammetta Tarli und dem English Chamber Orchestra unter Muhai Tang.

Sie präsentieren Mozarts Konzert für zwei Klaviere & Orchester KV 365, das Konzert KV 242 – hier ebenfalls mit zwei statt drei Klavieren – und die Sonate KV 448 für zwei Klaviere. Für die Aufnahmen in der wunderschönen Henry Wood Hall in London wählten Varbanov und Tarli die Steingräber-Phoenix-Klaviere, da diese ideal für die Aufführung von Repertoire sind, das extreme Finesse und Klangnuancen erfordert. Abgesehen von ihrem ungewöhnlichen Aussehen, denn sie wurden in einer warmen blonden Holzfarbe gefertigt, klingen die Instrumente ganz anders als die üblichen, hellen Flügel. Vor allem in den höheren Lagen ist der Klang viel weicher und kommt dem eines historischen Instruments etwas näher. Bei den Mozart-Konzerten ist das Ergebnis verblüffend: Dank des weniger aggressiven Klangs kommen viele Details deutlich besser zur Geltung.

Fiammetta Tarli, Klavier
Ivo Varbanov, Klavier
English Chamber Orchestra
Muhai Tang, Dirigent

Fiammetta Tarli
plays regularly all over Europe, both as a soloist and in different chamber music groups, including Ofer Falk (former first violin of the Allegri Quartet), Rohan De Saram (former cellist of the Arditti Quartet), David Cohen, Roger Chase, conductors Muhai Tang, Stanislav Oushev, Robert Bokor, Massimiliano Caldi, and Martin Georgiev, as well as her husband Ivo Varbanov (two pianos – four hands). Composers Silvina Milstein and Martin Georgiev have composed for Fiammetta as a soloist as well as with Ivo as a piano duo.

Between 2016 and 2023 Fiammetta has performed in the United Kingdom, Bulgaria, Italy, France, Germany, Austria, Spain, Luxenbourg, Poland, Macedonia, and Slovakia. She also made her debut as soloist in China with the Tianjin Symphony Orchestra under the baton of Muhai Tang.

Highlights of her engagements include performances at Cadogan Hall and St John Smith Square (London), West Road Concert Hall (Cambridge), Royal Concert Hall, New Auditorium (Glasgow), Honeywell Music Room (Oxford), St Georges (Bristol), Tianjin Concert Hall (China), Palast Hohenems, Austria (Kammerorchester Arpeggione), Philharmonic Hall Gdansk, Poland (Gdansk Philarmonic Orchestra), Sala Bulgaria, Sofia (Sofia Soloists in the Sofia Philarmonic Season: première of Diptych of Light and Time, Concerto for two pianos and string orchestra composed for Fiammetta and Ivo by Martin Georgiev), Varna Opera House (Varna Philarmonic Orchestra), Shumen Symphony Hall (Shumen Philarmonic Orchestra), and at festivals such as ‘Brahms Unwrapped’ at the Kings Place (London), Wye Valley Music Festival (United Kingdom), ‘Conciertos Temáticos’ in Santander (Spain), the Sofia Music Weeks (Bulgaria), the International Chamber Music Festival ‘Konvergencie’ in Bratislava, Piano Extravaganza (Sofia), Les concerts du foyer Européen (Luxembourg), Ohrid Summer Festival (Macedonia), Apollonia Festival of Arts (Bulgaria), etc.

Fiammetta started studying piano at the age of five with Giampiero Semeraro in Pisa, her hometown, and gave her first concert at nine. She earned her diploma in Piano Performance and Music Studies at the Florence Conservatoire at the age of seventeen. She specialised in solo repertoire with Maria Tipo, Lydia Rocchetti Pezzati and Ilonka Deckers in Italy, and in chamber music with Iain Ledingham at Royal Academy of Music, London. She participated several times in masterclasses with Alexander Lonquich and Elio Battaglia. Her keen interests in literature and musicology prompted her to achieve her Master of Musicology and PhD at King’s College London. She has been leading masterclasses herself in London and at the Radom National Music School in Poland.

Together with Ivo Varbanov, Fiammetta founded a new audiophile record label: Independent Creative Sound and Music (ICSM) Records.

Her concerts have been broadcast by RAI and Rete Toscana Classica (Italy), Slovak, Bulgarian and Spanish National Radios. Fiammetta’s recordings – two of them with Gega New, Bulgaria, five with ICSM Records and one with Lorelt Records (first recording of In a bowl of grey blue leaves for two pianos, composed by Silvina Milstein and dedicated to the duo Tarli-Varbanov) – have received wide acclaim by the international press (International Record Review, Rivista Musica, Fanfare, Observer, Klassisk Musikkmagasin, HI-FI+). Her next publications include: Mozart’s two-piano concertos (K 365 and K 242) recorded with the English Chamber Orchestra, Brahms’s two-piano compositions recorded with Ivo on Steingraeber pianos in Bayreuth and then in London, Menuhin Concert Hall, and the recordings of Mozart Piano Concertos K 466 and 467 (January 2022, with cadenzas newly composed for her by Martin Georgiev) with the Tippett String Quartet in London.

Fiammetta’s most recent project is going to be the world premiere of Martin Georgiev’s Piano Concerto, composed for her in 2022, and its subsequent recording.

Ivo Varbanov
is a leading figure in Bulgarian music and culture at home and abroad. After an enforced break from performing from 2009 to 2012 as a consequence of Leukaemia, he returned to the London stage with impressive performances at the Royal Festival Hall with the Royal Philharmonic Orchestra, Kings Place in the ‘Brahms Unwrapped’ season and at Cadogan Hall.

Ivo is a recipient of the Ivan Vazov Award for the popularisation of Bulgarian Culture abroad, and in 2011 he was awarded the Silver Lion Award from the Ministry of Foreign Affairs. In 2019 he became an Associate of the Royal Academy of Music. His performances have been broadcast on Bulgarian National Radio, BBC Radio, RAI 3, France Music, Radio Toscana Classica, Classic FM+, Canadian Radios, Spanish National Radio, Slovak National Radio, Bulgarian National TV, BTV and TV Bulgaria.

In 2017 Hyperion Records released a recording of Dimitar Nenov’s Piano Concerto and Ballade No. 2 with the Royal Scottish National Orchestra, conducted by maestro Emil Tabakov. It received wide international acclaim, garnering an average rating of 4.5/5 stars from the music critics. To date, Ivo has made thirteen commercial recordings for Hyperion Records, Gega New, B.N.R., Lorelt Records and ICSM Records (the record label he founded with his wife, the pianist Fiammetta Tarli).

His performances include concertos, recitals and chamber music in more than twenty countries across three continents. Career highlights include multiple performances in London at the Royal Festival Hall, Wigmore Hall, Kings Place, Cadogan Hall and St John’s, Smith Square. Other appearances in the UK include the Royal Concert Hall in Glasgow, the Freeman Concert Hall in Manchester, St. George’s, Bristol, and the West Road Concert Hall in Cambridge. Further afield, he has performed at Carnegie Recital Hall in New York, the Bulgaria Concert Hall in Sofia and the Philharmonic Hall in St. Petersburg.

Ivo has performed as a soloist with some of the world’s finest orchestras. These include the Royal Philharmonic Orchestra, Royal Scottish National Orchestra, English Chamber Orchestra, Turku Philharmonic, Sofia Philharmonic Orchestra, Bulgarian National Symphony Orchestra, Sofia Soloists, St Petersburg State Symphony, Tianjin Symphony Orchestra, Orquestra Filarmônica de Minas Gerais and the Gdansk Philharmonic Orchestra, directed by such distinguished conductors as Leif Segerstam, Emil Tabakov, Muhai Tang, Alexander Kantorov, Stanislav Oushev, Massimiliano Caldi, Mikolaj Djadura, Yordan Dafov, Martin Georgiev, and Jacques Cohen.

His recent chamber music collaborations include concerts with his wife Fiammetta Tarli and Konstantin Lifschitz (two pianos, four hands), the violinist Ofer Falk, violist Jitka Hosprová, cellists László Fenyö, Seeli Toivio, Jozef Lupták and Hillel Zori, the Allegri Quartet and the horn player Tanja Nisonen. Ivo has appeared at many international festivals, including ‘Music Weeks in Sofia’, Cervo Summer Festival, Ohrid Summer Festival, Chopin Marienbad Festival, Apollonia Arts Festival, Carniarmonie Festival and the Lodz Contemporary Music Festival.

Ivo started to play the piano at the age of six in his home town Pleven in Bulgaria with Eleonora Karamisheva. A few years later he studied with Riccardo Bertazzolo and the renowned Hungarian teacher Ilonka Deckers in Italy. After his graduation at the age of twenty, he moved to the UK to work with Sulamita Aronowsky at the Royal Northern College of Music in Manchester and with Frank Wibaut at the Royal Academy of Music in London, completing his postgraduate studies in 1998 (on a Rotary Foundation Scholarship). Ivo also studied privately with Dennis Lee and has been inspired in masterclasses by such renowned teachers as the pianists Alexander Lonquich, Barry Douglas and Lev Naumov. He has been leading masterclasses himself at the Bulgarian National Music School in Sofia, the Lucerne School of Music in Switzerland and the Radom National Music School in Poland.

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