Wayward Flyers Vol.I Crown Lands

• 1 Howlin' Back Again 02:50
• 2 Roving On 02:26
• 3 The Witching Hour 04:57
• 4 Birds 02:18
• 5 No Sympathy 03:18
• Total Runtime 15:49

Info for Wayward Flyers Vol.I

Canadian powerhouse duo Crown Lands released an acoustic project, Wayward Flyers Volume 1, with Universal Music Canada, the country’s leading music company. Cody Bowles (Vocals/Drums) prefaces, “Wayward Flyers is an arrangement of acoustic aural vistas that meander from our usual high-octane rock display and into the dark forest. Within this body of work, we’ve taken some interesting decisions to explore parts of our own musicality that we haven’t yet fed under the umbrella of Crown Lands. I got the chance to apply some concepts of West African percussion I learned in University in this one which was really fun. It’s all about getting to the root of our instruments in making a concise distillation of vulnerability in music form.”

Wayward Flyers Volume 1 arrives alongside a stunning performance video for the track, "The Witching Hour." The video was shot at a chalet in Uxbridge, Ontario and is the first installment of a series of performance videos from this project, fans can expect videos for the band’s cover of Neil Young’s “Birds” and “Roving On” later this month. These videos showcase Crown Lands’ musical artistry and technical aptitude in all of its majestic glory. In speaking about the first video, the band comments, “The Witching Hour is our spookiest song. We drew inspiration from the Salem Witch Trials. It’s about how White Christian men used fear and misogyny under the veil of religion to prosecute and murder innocent intelligent women in the 17th century. It’s terrifying to see that a lot of those fears are still deeply rooted in society to this day. People in charge continue to suppress of feminine spirituality into the modern age.”

Produced by Justin Meli, Wayward Flyers Volume 1 showcases Crown Lands artistic versatility with four stripped back original songs plus a cover of Neil Young’s “Birds,” see the full track list below. Kevin Comeau (Guitar) describes, “This was an important record for us. We took the chance to apply a lot of the things we had learned from a big year - getting signed, writing and recording new records, touring the US. We tracked most of the guitar & vocals live off the floor to capture how we really perform and bounce off each other.”

The record is available to stream and download all streaming platforms, as well, fans can pre-order the stunning 10-inch record features the EP art which was designed by Quinn Henderson and stays true to the Crown Lands aesthetic; “a celebration of nature - an ode to our home” describes Universal Music Canada’s Creative Director Andy Slater who has worked closely with Crown Lands to develop their visuals. Wayward Flyers Volume 1 is sure to be a favourite of any record collection.

Known for their energetic live shows, Crown Lands spent the early part of their career performing; starting by booking themselves shows across southwestern Ontario and then landing opening slots for major rock acts like Jack White, Primus and Rival Sons. Like many bands, Crown Lands were challenged by the global pandemic, having to postpone their support slot across Europe with Grammy award-nominated sister duo Larkin Poe as well as their homecoming headlining show in Toronto. Crown Lands remain positive while they wait for the day they can play to fans again, Comeau commenting, “This is an important time to remember that we are all in this together, and we are going through a collective trauma. Although our doors and our borders remain closed, our minds must remain open.”

Crown Lands

Crown Lands
“More is more.” That’s how Kevin Comeau of the powerhouse Canadian duo Crown Lands describes his band’s approach. Cody Bowles continues: “We joke around, what if the White Stripes covered Rush? We want to be as big as we can be with just the two of us.”

The release of Crown Lands’ upcoming, self-titled debut album—produced by six-time Grammy winner Dave Cobb—marks the arrival of a major new force. Raised in Southwestern Ontario, Comeau (guitar, bass and keys) and Cody Bowles (vocals and drums) bring together a range of influences from folk and blues to psychedelic to prog rock and, drawing on their own intense personal chemistry, create something unique and startlingly fresh.

In 2016, Crown Lands released their first EP, Mantra, and accelerated their relentless touring schedule, which has seen them open for Jack White, Coheed and Cambria, Primus, and Rival Sons.

The group’s name is indicative of their substantial ambitions; “Crown Land” is territorial area belonging to the monarch—or, as Bowles (whose own heritage is half Mi’kmaq, an indigenous tribe from Nova Scotia) puts it, “Crown Land is stolen land and we are reclaiming it.”

“We have a really special bond—pretty much like brothers, but even more,” says Comeau. “There’s something special about the two of us getting together and turning up to ten. So we just have to keep pushing ourselves even further.”

This album contains no booklet.