Victoria: Tenebrae Responsories Stile Antico

• Tomás Luis de Victoria (1548 - 1611): Maundy Thursday Responsories, Second and Third Nocturns: :
• 1 Maundy Thursday Responsories, Second and Third Nocturns: I. Amicus meus 02:59
• 2 Maundy Thursday Responsories, Second and Third Nocturns: II. Judas mercator 02:26
• 3 Maundy Thursday Responsories, Second and Third Nocturns: III. Unus ex discipulis meis 02:26
• 4 Maundy Thursday Responsories, Second and Third Nocturns: IV. Eram quasi agnus 03:06
• 5 Maundy Thursday Responsories, Second and Third Nocturns: V. Una hora 02:51
• 6 Maundy Thursday Responsories, Second and Third Nocturns: VI. Seniores populi 02:40
• Plainsong:
• 7 Plainsong: Incipit lamentatio Jeremiæ 03:33
• Good Friday Responsories, Second and Third Nocturns:
• 8 Good Friday Responsories, Second and Third Nocturns: I. Tamquam ad latronem 03:39
• 9 Good Friday Responsories, Second and Third Nocturns: II. Tenebræ factæ sunt 04:27
• 10 Good Friday Responsories, Second and Third Nocturns: III. Animam meam dilectam 04:35
• 11 Good Friday Responsories, Second and Third Nocturns: IV. Tradiderunt me 02:13
• 12 Good Friday Responsories, Second and Third Nocturns: V. Jesum tradidit impius 03:03
• 13 Good Friday Responsories, Second and Third Nocturns: VI. Caligaverunt oculi mei 04:28
• Plainsong:
• 14 Plainsong: De lamentatione Jeremiæ 03:42
• Holy Saturday Responsories, Second and Third Nocturns:
• 15 Holy Saturday Responsories, Second and Third Nocturns: I. Recessit pastor noster 03:00
• 16 Holy Saturday Responsories, Second and Third Nocturns: II. O vos omnes 03:05
• 17 Holy Saturday Responsories, Second and Third Nocturns: III. Ecce quomodo moritur 03:26
• 18 Holy Saturday Responsories, Second and Third Nocturns: IV. Astiterunt reges terræ 02:05
• 19 Holy Saturday Responsories, Second and Third Nocturns: V. Æstimatus sum 02:45
• 20 Holy Saturday Responsories, Second and Third Nocturns: VI. Sepulto Domino 02:49
• Plainsong:
• 21 Plainsong: De lamentatione Jeremiæ Prophetæ 04:08
• Motet:
• 22 Motet: O Domine Jesu Christe 03:43
• Total Runtime 01:11:09

Info for Victoria: Tenebrae Responsories

Born in 1548, Tomás Luis de Victoria received his early musical training as a chorister of Avila Cathedral under the tutelage of Gerónimo de Espinar and Bernardino de Ribera – the latter of whom can be counted amongst the greatest Spanish composers of his generation. Victoria was probably around seventeen when he travelled to Rome to continue his education at the Collegio Germanico. It was a city rich in opportunity for him, for he stayed there for the first half of his adult life, working as a singer, teacher, organist and maestro di cappella for several institutions including the Collegio Germanico, and taking holy orders. It was not until 1587 that, returning to his native Spain, Victoria settled in Madrid, serving as chaplain to the Dowager Empress Maria, and as maestro de capilla in the chapel of the Convent of Las Descalzas Reales, where she resided, until her death in 1603. After this he remained as chapel organist and one of the convent chaplains until his own death eight years later.

The Tenebrae Responsories come from a larger collection of polyphonic music for Holy Week, the Officium Hebdomadae Sanctae, which Victoria published in 1585, assembling a number of pieces he had written during his years in Rome. The responsories set here are part of the much longer office of Tenebrae, which essentially combined the monastic hours of Matins and Lauds for each of the last three days of Holy Week, the triduum sacrum.

Stile Antico

No biography found.

Booklet for Victoria: Tenebrae Responsories